Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Wednesday, November 26, 2025

Eddie Henderson @ London Jazz Festival, Pizza Express - Nov. 20

Eddie Henderson (trumpet); Matyas Gayer (piano); Arnie Somogyi (double bass); Stephen Keogh (drums).

Although he's been playing straight jazz for years now, the good doctor (he maintained a career as a doctor of medicine also) was one of the first jazz artists I listened to, back in the days of jazz-funk in the seventies. A fine trumpet player, at the time I'd have filed him with Freddie Hubbard and Donald Byrd.

And he introduced his pieces, generally giving the composer: Be Cool written by his wife who was there, Wayne Shorter's El Gaucho and Sweet and Lovely, in 3:4 time - in case anybody fancied waltzing - which he first heard by Booker Little or Frank Sinatra, who he thought may have written it, which I doubt.

He rested his lips for Nancy with the Laughing Face and the piano trio missed him not at all. I particularly liked Arnie's solo, which seemed more like a bass lead. Gasps could be heard as he told us Miles Davis stayed at his house by way of introducing an inspired version of On Green Dolphin Street.

Some tinkering with sound by all concerned brought on Phantoms by Kenny Barron which was followed by a Monk track I know well but can't name; one of the wonky ones, so that narrows it down. Which only left Cantaloupe Island by his old boss Herbie Hancock in his Mwandishi Band to conclude a scintillating set. My only criticism might be that it was too short, or maybe the time just flew over. 

I couldn't resist introducing myself and telling him I'd seen him in September as part of all-star group Echoes of an Era in Monterey, California and previously with another super-group the Cookers, though I told him the gig I'd just watched, with a European pick-up group, albeit fairly star-studded, would  be my pick.

We also discussed his big jazz-funk album Mahal from 1978 featuring Prance On and Cyclops which DJ Froggy and others played at 45 rpm, which he'd heard, perhaps because it's an additional track on the CD reissue. He told me he'd signed three copies at the earlier show that evening and I wondered if they'd turned up expecting a night of jazz-funk. 

He was well dressed in suit, shirt and tie; warm and friendly and when I asked my neighbour on the next table what made him pay a not insignificant cover charge to watch a jazz show in a pizza restaurant on his own he told me he's from Istanbul, had been working in the UK, loved jazz and Eddie Henderson is a leegend(sic). A gentleman too. Steve T 

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