Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 25: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 25: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Forgotten Ones & Any Quintets.
Thu 25: Edgar Ho Trio @ Newcastle Arts Centre. 7:30pm. Free. Brilliant alto sax, piano & double bass trio. Unmissable!
Thu 25: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 26: Finn-Keeble Group @ The Gala, Durham. 1:00pm. £9:00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Clark Tracey @ Live Theatre, Newcastle. 7:30pm. Newcastle Jazz Festival. £26.00. Day 1/2.

Sat 27: OUTRI @ Live Theatre, Newcastle. 1:00pm. £13.01. 1:00-1:45pm. Newcastle Jazz Festival. Day 2/2.
Sat 27: Tees Bay Swing Band @ Richardson & Westgarth Sport & Social Club, Hartlepool. 1:30pm. Free. Open rehearsal. Note change of venue.
Sat 27: House of the Black Gardenia + Magpies of Swing @ The Cumberland Arms, Newcastle. 2:00pm. Free.
Sat 27: Mark Toomey Quartet @ Live Theatre, Newcastle. 2:15-3:15pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Alexia Gardner Quintet @ Live Theatre, Newcastle. 3:45-4:45pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Rory Ingham @ Live Theatre, Newcastle. 5:30-6:30pm. £19.51. Newcastle Jazz Festival. Day 2/2. Ingham w. Dean Stockdale, Ian Paterson, Dave McKeague.
Sat 27: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 27: Laura Jurd @ Live Theatre, Newcastle. 8:00pm. £26.00. Newcastle Jazz Festival. Day 2/2. Sat 27: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

Sun 28: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 28: Tim Kliphuis Trio @ St Mary’s Church, Wooler. 3:00pm. £18.00., £6.00. A Wooler Arts Summer Concerts event. Tim Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: An Evening of Jazz @ St James’ Church, Copper Chare, Morpeth. 7:30pm. Tickets: £10.00 from 01670 788869 or 01670 519923. Mid Northumberland Chorus (MD Robin Forbes, Emma Straughan, piano) w. jazz trio featuring Edgar Ho, Oscar Ho & Dave McKeague & special guest Emily Masser. Performance inc. Bob Chilcott’s A Little Jazz Mass + George Shearing’s Songs & Sonnets.
Sun 28: Led Bib @ The Globe, Newcastle. 8:00pm. £15.00., £12.00. JNE.

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

Wednesday, November 12, 2025

Album review: George Coleman with Strings (High Note- HCD 7349) - Take 2

George Coleman (tenor sax); Dave Hazeltine (piano); John Webber (bass); Joe Farnsworth (drums); Bill Dobbins (arranger) + strings

Sax and strings have a time honoured tradition in jazz. Starting with Bird in the late 1940s and followed by Coleman Hawkins, Ben Webster, Johnny Hodges (with Lawrence Welk, no less) Sonny Stitt, Jan Garbarek, Gary Smulyan and countless others to date. Nor must one forget Stan Getz’s epical 1961 LP - Focus, with Eddie Sauter which significantly raised the bar for this setting.

Renowned Memphis born saxist, George Coleman, has joined this illustrious legacy in his latest offering with his long-time group aboard. Pianist Dave Hazeltine, bassist John Webber and Joe Farnsworth on drums. Recorded in 2022, it includes five classic but lesser played/known vehicles (Victor Young’s Stella by Starlight an exception) such as Mandel’s A Time for Love, Mancini’s Moment to Moment, Monk’s Ugly Beauty and Dedicated To You from the pen of Sammy Cahn. All of which are resplendent in bringing out the magnificence and eclectic dynamism of the brass saxophone and woody sonority of the chamber sized string ensemble at hand here.

Arranger, Bill Dobbins, rises to the occasion with aplomb, especially with his orchestrally lush and bold string introductions on Ugly Beauty and A Time for Love. They are followed by Coleman’s entry with a lyrical patience - understating the themes and giving a welcome contrast to what preceded it.

This autumnal career gem highlights Coleman’s reflective side with his deeply resonant tone coupled with a paucity of notes. Perfectly apt for fully celebrating these superior themes and harmonies. These kind of brilliant but daring choices are principal to Coleman’s music. Now in his now 90th year, may it continue onwards and upward! Frank Griffith

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