Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, October 03, 2025

Press release: Tommy Smith and Gwilym Simcock release concert recording

© Derek Clark
Saxophonist Tommy Smith and pianist Gwilym Simcock release their first recording together, Eternal Light on Friday 3 October 2025 exclusively via Bandcamp.

A live album recorded direct to 2-track at The Queen’s Hall, Edinburgh, 11 September 2025, Eternal Light captures Smith and Simcock in concert at Scotland’s flagship jazz venue. It features seven original compositions – two new works by Simcock, Weathered and Old Husbands’ Tale, alongside five of Smith’s recent compositions: Eternal Light, Land Between the Rivers, Body or Soul, Harlequin, and El Niño.

The music highlights the deep rapport between two of Europe’s most distinctive voices in contemporary jazz, weaving lyrical interplay, improvisational risk, and a profound sense of storytelling.


Smith has enjoyed an international career spanning collaborations with Gary Burton, Chick Corea, John Scofield, and Arild Andersen. Simcock, one of the most versatile pianists of his generation, has built an international reputation through collaborations with Pat Metheny, Bill Bruford, and the Impossible Gentlemen. Their duo partnership has been described as “a conversation that can go anywhere — from whisper to roar, from abstraction to melody” and Eternal Light reflects the pair’s commitment to risk-taking and reinvention, presenting a body of work that is both grounded and exploratory.

“The duo is the most intimate and exposed of formats,” says Smith. “There is nowhere to hide, although the solo saxophone is even more transparent, but that is also where the beauty lies. The saxophone and piano have such complementary voices. The piano offers harmony, rhythm, and colour, while the saxophone can be a pure line, like a singer.”

Smith and Simcock met while performing with different groups at festivals and it was Smith’s long-time duo partner, the late Brian Kellock who suggested that Smith and Simcock would work well together.

“It felt natural right from the start,” says Smith. “It was as if we were already speaking the same musical language. Over time, we discovered that we share a similar appetite for risk and lyricism, and the duo developed organically. It has become one of the most rewarding partnerships of my career.”

The album is being supported by concerts at Watermill Jazz in Dorking on Tuesday 14 October and the Concorde Club in Eastleigh, near Southampton, on Wednesday 15 October.

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