Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18413 (and counting) posts since we started blogging 18 years ago. 277 of them this year alone and, so far this month (April 7 ) 11,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Tue 14: Pete Tanton’s Cuban Heels @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.
Tue 14: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 16: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jewish Musicians/Composers/Vocalists.
Thu 16: Sleep Suppressor + Silk Road + So Anne So @ The Globe, Newcastle. 7:00pm. £10.00., £8.00., £6.00.
Thu 16: Fourpenny Rabbits @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 17: Russ Morgan Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Ben Crosland Quartet @ Sunderland Minster. 7:30pm. £12.96 (inc. bf) online; £15.00 on the door. Old Black Cat Jazz Club.

Sat 18: Tyne Valley Big Band @ Bishop Auckland Town Hall. 11:00am-4:00pm. A Food Festival event.
Sat 18: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Swing dance sessions + Bright Street Big Band 7:30-8:15pm & 8:45-9:30pm.
Sat 18: Glenn Miller & Big Band Spectacular @ The Phoenix Theatre, Blyth. 7:30pm. £27.00 (inc. bf).

Sun 19: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Lara Hopper.
Sun 19: Pete Tanton’s Chet Set @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 19: Straight to Tape @ The Tyne Bar, Newcastle. 4:00pm. Free. Edd Carr, Jonathan Proud, John Hirst. Blues trio.
Sun 19: Graham Hardy’s Eclectic Quartet @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. Stockdale, Mick Shoulder, Abbie Finn.

Friday, October 31, 2025

Album review: Fergus McCreadie – The Shieling (Edition Records)

Fergus McCreadie (piano); David Bowden (bass); Stephen Henderson (drums)

Fergus McCreadie’s The Shieling is a masterclass in immersive storytelling through jazz, a record that demands to be experienced as a single, unfolding journey. Across its tracks, the Scottish pianist and his trio craft a soundscape that ebbs and flows, combining the lyricism of folk-inspired melodies with the restless energy of contemporary jazz. 

From the outset, McCreadie’s piano leads with a clarity that is both delicate and precise, supported by David Bowden’s lyrical double bass and Stephen Henderson’s responsive, dynamic drumming. The album moves seamlessly from one piece to the next, each track an extension of the last rather than a stand alone moment.

A standout moment comes on Lily Bay, where McCreadie captures the movement of the ocean — delicate yet powerful, ever-moving — translating its rhythm and swell into a piano line that feels organic and alive. Elsewhere, tracks like Wayfinder and Climb Through Pinewood balance spaciousness with momentum, drawing the listener into the trio’s intimate dialogue and the sense of place that pervades the album.

 

What makes The Shieling particularly compelling is its sense of cohesion. It is an album that breathes, a narrative that flows as naturally as the landscapes it evokes. Here, McCreadie’s Scottish heritage subtly colours the improvisations, adding both warmth and tension, while the trio’s interplay creates a sense of exploration — a journey that feels simultaneously personal and universal. It is at times broad and cinematic and at others close and personal.

 

Presented with understated elegance and performed with the utmost sensitivity, The Shieling is not just a collection of compositions; it is an environment, a space to inhabit, and a reflection on movement, place, and the passage of time. For listeners who allow themselves to be swept along with its currents, it is an utterly rewarding experience. Glenn Wright


Wayfinder; Sparrowsong; Lily Bay; Climb Through Pinewood; Fairfield; The Path Forks; Windshelter; Eagle Hunt; Ptarmigan; The Orange Skyline

 

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