Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18413 (and counting) posts since we started blogging 18 years ago. 277 of them this year alone and, so far this month (April 7 ) 11,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Tue 14: Pete Tanton’s Cuban Heels @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.
Tue 14: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 16: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jewish Musicians/Composers/Vocalists.
Thu 16: Sleep Suppressor + Silk Road + So Anne So @ The Globe, Newcastle. 7:00pm. £10.00., £8.00., £6.00.
Thu 16: Fourpenny Rabbits @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 17: Russ Morgan Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Ben Crosland Quartet @ Sunderland Minster. 7:30pm. £12.96 (inc. bf) online; £15.00 on the door. Old Black Cat Jazz Club.

Sat 18: Tyne Valley Big Band @ Bishop Auckland Town Hall. 11:00am-4:00pm. A Food Festival event.
Sat 18: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Swing dance sessions + Bright Street Big Band 7:30-8:15pm & 8:45-9:30pm.
Sat 18: Glenn Miller & Big Band Spectacular @ The Phoenix Theatre, Blyth. 7:30pm. £27.00 (inc. bf).

Sun 19: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Lara Hopper.
Sun 19: Pete Tanton’s Chet Set @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 19: Straight to Tape @ The Tyne Bar, Newcastle. 4:00pm. Free. Edd Carr, Jonathan Proud, John Hirst. Blues trio.
Sun 19: Graham Hardy’s Eclectic Quartet @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. Stockdale, Mick Shoulder, Abbie Finn.

Friday, October 31, 2025

Album review: Meet Your Heroes – Meet Your Heroes (Self-released)

Rob Lamont (guitar); Rhys Lovell (bass); Pete Hill (drums)

Sussex trio Meet Your Heroes stake their claim on the UK jazz-rock map with a debut EP that’s as witty as it is musically assured. Across five concise tracks, the group fuse swamp-funk grooves, angular math-rock turns and unfussy improvisation into a sound that feels both grounded and restless.

 

Formed in 2024, Rob Lamont (guitar), Rhys Lovell (bass) and Pete Hill (drums) make a remarkably cohesive noise for such a new outfit. Having already sold out their first Brighton headline show and graced the New Generation Jazz stage at Love Supreme 2025, the trio arrive with an enviable confidence that carries through the entire record.

 

Opening cut Miami Slice sets the pace — taut, sun-drenched and rhythmically sharp — before Muesli Mountain and Lentil Landing tilt things toward more syncopated territory, full of elastic basslines and quicksilver guitar interplay. Hummus Hollow, the EP’s longest track, allows the trio to stretch and converse, opening up harmonic space while keeping the pocket deep. Closer Bass Bunker drops into darker terrain, its circular riff and cinematic undertow rounding things off with satisfying weight.

 

There’s a knowing humour to the alliterative titles — Muesli Mountain, Lentil Landing, Hummus Hollow, Bass Bunker — but the playing itself is serious business. Lamont’s tone sits somewhere between Wayne Krantz and John Scofield, full of clipped phrasing and lyrical bite, while Lovell and Hill provide a tight yet flexible rhythmic framework that recalls The Meters or Khruangbin. It’s a sound that merges groove-first sensibilities with fusion-minded precision — complex without ever losing its swagger.

 

Recorded at Third Circle Recordings in Portslade (engineered by James Gasson, mixed by Lamont, mastered by Luke May), the production captures the warmth of a live trio in full conversation: crisp, uncluttered, and dynamically alive. The cover photo by Declan Haughian and design by Andy Baker complement the group’s aesthetic perfectly — minimal, self-aware, and quietly stylish.

 

What sets Meet Your Heroes apart is their discipline. Where many fusion acts drift into indulgence, these five pieces are tightly structured — rarely over four minutes — favouring groove and melodic clarity over extended solos. It makes for an immediate, replayable listen that bridges the gap between “heads” and casual groove fans alike.

 

If there’s room for evolution, it might lie in stretching their ideas further — letting the improvisational spark breathe across longer forms. But as a debut, this is a remarkably complete statement: smart, warm, and full of character.

 

My Verdict: Meet Your Heroes is modern fusion without the fuss — inventive, groove-driven, accessible and refreshingly unpretentious. Glenn Wright

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