Bebop Spoken There

Christian McBride: ''I believe we are living in a historically embarrassing moment in American history.'' - Downbeat December 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18104 (and counting) posts since we started blogging 17 years ago. 1068 of them this year alone and, so far this month (Dec. 25), 82.

From This Moment On ...

DECEMBER 2025

Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 28: The Society Quartet @ Hilton Garden Inn, Sunderland. 6:30pm. Jason Holcomb & co.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Shalala @ The Globe, Newcastle. 8:00pm. £8.00., £7.00. adv.

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Lil Miss Mary & the Mr Rights Trio @ Billy Bootlegger’s, Newcastle. 2:00pm. Free. ‘Early NYE Bash’. Rockabilly, rhythm & blues.
Wed 31: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. ‘Midnight in Manhattan’ NYE party. £49.46 (inc. bf) & £29.38 (inc. bf).

JANUARY 2026

Thu 01: ???

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. No session this week, next one Friday 9th
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Earl Thomas Blues Band @ Billy Bootleggers, Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, October 07, 2025

Santana @ the House of Blues, Las Vegas - Sept. 21

For various reasons I never saw Santana until about fifteen years ago when I vowed I'd never miss them/him again. I've seen them/ him twice in the UK since but never thought I'd also see them twice in the US, but when it turned out they had a residency at the hotel/casino next door to ours, in the small House of Blues Theatre, our attendance was never in doubt.

Advertised as a greatest-hits set, it began more or less chronologically: Soul Sacrifice, Jingo, Evil Ways and Black Magic Woman mercifully followed by Gypsy - at Newcastle Utilita it was allowed to fizzle out which was enormously disappointing. Oye Comó Va was followed by the first track from the extraordinarily successful Supernatural album - Maria Maria - and a few tracks I knew but didn't know the title or any background.

The classics returned with Europa - the only time I've heard them play it - and She's Not There and a lengthy drums and bass feature featuring a reference to Black Sabbath's Iron Man, which received rapturous applause. He spoke, his seventy-eight years showing in his mobility - a bit like Biden - if not his guitar playing, he shuffled between two chairs on stage like a modern-day version of a great blues artist. When a spiritual soul like Santana drops the F bomb you know the country and the world have lost its way.

Incident at Neshabur brought on Ravi - son of John Coltrane. In all honesty it never quite gelled, despite referencing at least three Trane tracks, including Chim Chim Cher-ee and My Favorite Things but surprisingly no A Love Supreme. Nevertheless, although I've seen Ravi twice in the UK and he was great (the second time), it was amazing to see them both on stage, Carlos with the son of his ultimate musical hero. Another lengthy drum solo by the boss's wife was followed by another track I know but not where from - presumably Supernatural - but featuring an excerpt from Gajira.

He left but returned for Toussaint L' Overture and inevitably Smooth, the most successful track from the Supernatural set. The omission of Samba Pa Te  was my only disappointment, the only time I've seen them when they didn't play it, though I suspect it made way for Europa.

And that was it; I can't imagine he'll be back in the UK and I have no plans to return to America. A world-famous household name but still one of the most under-rated artists we've been fortunate to have in our lifetime.  Steve T 

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