Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18982 (and counting) posts since we started blogging 18 years ago. 846 of them this year alone and, so far this month (Oct. 8.) 25.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Saturday, June 07, 2025

Album review: Betty Accorsi - Nature Prints (Betty Accorsi Music)

Betty Accorsi (soprano sax, voice); Dan Hewson (piano, trombone); Andy Hamill (bass, bass guitar); Joe Edwards (drums).

Italian born saxophonist/composer Accorsi is an adventurous spirit both as a player and a composer. She revels in subjects that your average jazzer would bypass. However, there's nothing average about this musician. Although jazz is at the core of her playing/writing there's also an element of folk peeping through.

Who is the Queen? doesn't refer to the current resident of that big house down The Mall but to the Queen of the famous Lewis chess set. Accorsi thinks the Queen looks bored and hopes the music will cheer her up. I'm sure it would with the solos from soprano, piano and drums.
Mary is inspired by Mary Oliver, an American poetess who believed that nature spoke to her and that rocks were alive. Well I don't know about that but there's lots going on. Accorsi reads (presumably) Mary's words with some trombone interjections. The arty bit over, we get some straight ahead jazz from Betty on soprano, piano from Hewson and more voice from Betty. It's quite magical.
Illusions refers to life beyond what we see. Is there shame or danger in believing in God, if it helps us to overcome difficulties? Betty sings, Andy solos. It's very deep and far removed from what I signed up for as a callow youth listening to Bird and Diz.
Song for A. A being Betty's husband Andrea. It's a love song to Andrea and to Wayne Shorter - "one of the first musicians to be inspired by nature, fairytales and poetry" . Her soprano solo has much in common with Wayne's approach.  Piano, bass and drums also have their say.
Garden Trip is about the art of gardening and begins with Betty singing four lines: She goes to her fairy garden/Where she brings new seeds to breathe/All I do is give you a voice/So you can sing with me. A catchy theme follows with Hewson swinging merrily along and Betty blowing her sox off. The tempo changes make it all the more effective. Joe Edwards works out on the kit.
Carillion is sung in Italian and is seemingly about the healing power of nature. nice basswork from Hamill before the tempo speeds up - presumably this is the healing power kicking in - Betty blows sans inhibitions as if she'd OD'd on nature.
Molly is non other than Molly Malone, that tragic Dublin fishmonger long celebrated in song and Irish folklore.  Betty sings the sad saga as well as playing an emotive solo. Piano, bass and drums play a funereal passage prior to the sad ending.
Glass Horse was inspired by a glass horse crafted by a talented Italian artisan on the Venetian island of Burano. Nice swinging soprano with piano at the top of his game (as he has been throughout). Amazing the inspiration one can draw from a glass horse!
Into the Forest, inspired by Shakespeare's A Midsummer Night's Dream, in accordance with the title it's quite soporific although there's too much going on for it to deliver the whole forty winks.

It's a unique album and well worth checking it out when it's released on July 18. Lance

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