Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, June 10, 2025

Album review: Michael Arbenz meets Andy Sheppard - From Bach to Ellington - Live

Michael Arbenz (piano); Andy Sheppard (tenor sax)

This does what it says on the tin. Arbenz meets Sheppard, not in Brandenburg or Washington D.C. but in Basel - capital of that country where they make Metro trains that don't work and cuckoo clocks that do.

Five tracks. Three composed by Ellington and two by Arbenz who finds his inspiration in a cantata and a prelude by J.S. 'Mighty' B.*

Sheppards big sound and his agile technique deliver the improvised passages with much aplomb whilst Arbenz extemporises frenetically with the fervour of the great man (men?) himself posing the question as to why jazz musicians improvise and classical musicians extemporise? That aside, it is as much classical as it is jazz which, as that was probably the artists' intent, I guess you can say that it worked.

The 64,000 dollar question is will it appeal to both factions? I think it might. Paradoxically, in many respects, the Ellington tunes seem to be more classically orientated whereas the Bach interpretations come across as the jazzier of the two! 

To quote from the accompanying puff sheet: 

Recorded live at Bird’s Eye Jazz Club in Basel, the record explores the musical meeting point between Baroque counterpoint and jazz improvisation across original compositions inspired by specific Bach pieces and reimagined Ellington classics. Treading a line between historical reverence and contemporary reinvention, Arbenz and Sheppard find a cerebral and heartfelt shared language through subtle grooves, chamber-like textures and striking melodic clarity.

My thoughts exactly. Lance

Release date is this Friday the 13th but don't let that put you off it's well worth a CHF or two. BANDCAMP.

*Back in the day when I was 'keeping 'em flying' two of RAF Manby's eggheads were discussing the relative importance of Michael Faraday and William Shakespeare. To show that I was no ignorant erk from up north I said, "What about Bach?" 'Shakespeare' nodded sagely and said, "Ah yes! J.S. 'Mighty' B". Ever since then I can't mention JSB without inserting Mighty. I'm sure Sheppard and Arbenz do the same although Andy might be referring to Mighty Duke Ellington!

Melancholia (D. Ellington); Psalm (M. Arbenz, inspired by Bach’s Cantata BWV 146); African Flower (D. Ellington); Where It Springs  Into Being (M. Arbenz, inspired by Bach’s Prelude in C); Reflections in D (D. Ellington); Warm Valley (D. Ellington)

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