Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Fri 16: Giles Strong Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Darlington Big Band @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 16: Leeds City Stompers @ Billy Bootleggers, Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, June 10, 2025

Album review: Michael Arbenz meets Andy Sheppard - From Bach to Ellington - Live

Michael Arbenz (piano); Andy Sheppard (tenor sax)

This does what it says on the tin. Arbenz meets Sheppard, not in Brandenburg or Washington D.C. but in Basel - capital of that country where they make Metro trains that don't work and cuckoo clocks that do.

Five tracks. Three composed by Ellington and two by Arbenz who finds his inspiration in a cantata and a prelude by J.S. 'Mighty' B.*

Sheppards big sound and his agile technique deliver the improvised passages with much aplomb whilst Arbenz extemporises frenetically with the fervour of the great man (men?) himself posing the question as to why jazz musicians improvise and classical musicians extemporise? That aside, it is as much classical as it is jazz which, as that was probably the artists' intent, I guess you can say that it worked.

The 64,000 dollar question is will it appeal to both factions? I think it might. Paradoxically, in many respects, the Ellington tunes seem to be more classically orientated whereas the Bach interpretations come across as the jazzier of the two! 

To quote from the accompanying puff sheet: 

Recorded live at Bird’s Eye Jazz Club in Basel, the record explores the musical meeting point between Baroque counterpoint and jazz improvisation across original compositions inspired by specific Bach pieces and reimagined Ellington classics. Treading a line between historical reverence and contemporary reinvention, Arbenz and Sheppard find a cerebral and heartfelt shared language through subtle grooves, chamber-like textures and striking melodic clarity.

My thoughts exactly. Lance

Release date is this Friday the 13th but don't let that put you off it's well worth a CHF or two. BANDCAMP.

*Back in the day when I was 'keeping 'em flying' two of RAF Manby's eggheads were discussing the relative importance of Michael Faraday and William Shakespeare. To show that I was no ignorant erk from up north I said, "What about Bach?" 'Shakespeare' nodded sagely and said, "Ah yes! J.S. 'Mighty' B". Ever since then I can't mention JSB without inserting Mighty. I'm sure Sheppard and Arbenz do the same although Andy might be referring to Mighty Duke Ellington!

Melancholia (D. Ellington); Psalm (M. Arbenz, inspired by Bach’s Cantata BWV 146); African Flower (D. Ellington); Where It Springs  Into Being (M. Arbenz, inspired by Bach’s Prelude in C); Reflections in D (D. Ellington); Warm Valley (D. Ellington)

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