Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Tuesday, June 10, 2025

Album review: Michael Arbenz meets Andy Sheppard - From Bach to Ellington - Live

Michael Arbenz (piano); Andy Sheppard (tenor sax)

This does what it says on the tin. Arbenz meets Sheppard, not in Brandenburg or Washington D.C. but in Basel - capital of that country where they make Metro trains that don't work and cuckoo clocks that do.

Five tracks. Three composed by Ellington and two by Arbenz who finds his inspiration in a cantata and a prelude by J.S. 'Mighty' B.*

Sheppards big sound and his agile technique deliver the improvised passages with much aplomb whilst Arbenz extemporises frenetically with the fervour of the great man (men?) himself posing the question as to why jazz musicians improvise and classical musicians extemporise? That aside, it is as much classical as it is jazz which, as that was probably the artists' intent, I guess you can say that it worked.

The 64,000 dollar question is will it appeal to both factions? I think it might. Paradoxically, in many respects, the Ellington tunes seem to be more classically orientated whereas the Bach interpretations come across as the jazzier of the two! 

To quote from the accompanying puff sheet: 

Recorded live at Bird’s Eye Jazz Club in Basel, the record explores the musical meeting point between Baroque counterpoint and jazz improvisation across original compositions inspired by specific Bach pieces and reimagined Ellington classics. Treading a line between historical reverence and contemporary reinvention, Arbenz and Sheppard find a cerebral and heartfelt shared language through subtle grooves, chamber-like textures and striking melodic clarity.

My thoughts exactly. Lance

Release date is this Friday the 13th but don't let that put you off it's well worth a CHF or two. BANDCAMP.

*Back in the day when I was 'keeping 'em flying' two of RAF Manby's eggheads were discussing the relative importance of Michael Faraday and William Shakespeare. To show that I was no ignorant erk from up north I said, "What about Bach?" 'Shakespeare' nodded sagely and said, "Ah yes! J.S. 'Mighty' B". Ever since then I can't mention JSB without inserting Mighty. I'm sure Sheppard and Arbenz do the same although Andy might be referring to Mighty Duke Ellington!

Melancholia (D. Ellington); Psalm (M. Arbenz, inspired by Bach’s Cantata BWV 146); African Flower (D. Ellington); Where It Springs  Into Being (M. Arbenz, inspired by Bach’s Prelude in C); Reflections in D (D. Ellington); Warm Valley (D. Ellington)

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