Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18992 (and counting) posts since we started blogging 18 years ago. 856 of them this year alone and, so far this month (Oct. 11) 35.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Thursday, June 12, 2025

Album review: Saul Dautch - Music For the People (Doubleton Records)

Saul Dautch (baritone sax); Noah Halpern (trumpet); Miki Yamanaka (piano); Louie Leager (bass) Hank Allen-Barfield (drums)

Dautch's Music For the People is a collection of pieces dedicated to those people who have shaped his life. Family, friends and mentors. On the strength of what I've heard, they did a good job.

An enjoyable romp opening with Duke Pearson's Hello Bright Sunflower. The only non-original track, the first thing to hit me was the similarity in sound and technique between Dautch and Pepper Adams. Not a bad role model! As it happens the first recording of Hello Bright Sunflower was by the Donald Byrd/Pepper Adams Quintet leading to Dautch's liking for the trumpet/baritone front line we have here.

Nighttime on the Red Line has a cinematic feel to it. In fact as I listened I was mentally composing a storyline to match the tune title. This came to a halt when I realised it had already been done as The Taking of Pelham 123! 

Odious Din refers to his destructive and very vocal cat. It, the tune, swings faster than a cat chasing a mouse with blistering solos all round. Halpern hits some high ones, piano goes berserk and it culminates in a winner take all punch up.

By way of contrast Grateful is a poignant, posthumous ballad dedicated to Dautch's late father who was a big fan of The Grateful Dead. The connection is via the title rather than the music.

L'Chaim is another tribute to a departed family member - a close cousin. Again the beautiful sonority of the baritone tugs at the heartstrings. Piano, bass and drums also display sensitivity.

The Guru, unsurprisingly, is dedicated to one of his teachers at Rutgers where he did his graduate studies. An impressive arrangement and a trumpet solo with a few little tricks that made wonder where he was going which, in truth, wasn't very far.

The Climbing Silver, based on an animated Japanese cartoon opens with a fine trumpet solo that cues the leader in for a workout in the subterranean depths. He's quoted as saying "Playing the baritone sax is a dirty job but someone's got to do it". Few do it better!

Bacher's Batch refers to jazz summer camps in South Florida where he grew up. It's a nice easy swing of the kind that is becoming rarer and rarer these days. Big solo from Halpern,

Still with musicians like this around it will never go away. Love it! Lance

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