Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18982 (and counting) posts since we started blogging 18 years ago. 846 of them this year alone and, so far this month (Oct. 8.) 25.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Friday, May 16, 2025

Album review: Jed Levy - Faces and Places (A Life in Music Records)

Jed Levy (tenor sax); Luis Perdomo (piano); Peter Slavov (bass); Alvester Garnett (drums)

Levy's eleventh album as a leader yet only his first to grace these pages although he did show up favourably on an album led by bassist Fabrizio Sciacca back in August 2019.

To quote from the notes, Levy has been a mainstay on the New York jazz scene for some 40 years, his rich, full tone and polished improvisations have earned him the sobriquet of modern master. On the strength of  this album and, presumably the other ten, that sobriquet is well earned.

They're all originals covering a variety of tempos and moods relevant to the title. For example he chose to name the opening track EMail as the first two notes are the same as his inbox chime. Amazing - inspiration surrounds us and we don't know it!

Danza de Berrios is dedicated to the late drummer Steve Berrios. Levy pays his musical respects without any maudlin sentimentality.

Calcata, seemingly a mysterious Italian town near Rome dating back some nine centuries. It also hosted an artist's colony in the 1970s which gives Levy and the boys plenty to work on which they do producing artistry of their own in the process.
 
Twiddle Twaddle is dedicated to a friend in Rome who uses the term to describe chit-chatting - me and you too signora. Super solos all round and a surprise ending that could equate to "well I never!" at the end of a chit-chat.

Coming to Terms is gentle and melodic relating to whatever slings and arrows outrageous fortune throws at you. Not always easy although Levy makes it seem possible. 

Saint Simons emerged from a family winter vacation on St. Simons, an island off the coast of the American state of Georgia. Straight down the middle tenor playing, great piano solo and a round or two of fours from tenor, piano and drums - why are bass players rarely given solo space in these exchanges?

Personable offers more hard bop tenor over a rock/Latin rhythm and, of course, piano artistry from Perdomo.

Tenerife, the largest of the Canary Islands, is a place where everyone in the UK has holidayed except me. Levy and his wife planned to go for an exotic vacation until a volcano on an adjacent island showed signs of activity. Wisely they cancelled and Levy wrote a tune instead which would also save them on air fares. Speaking for myself I'd sooner listen to the tune, with its infectious rhythm, than go to the place itself. 

Leading Tone utilises counterpoint between tenor and bass before it all explodes in different directions. Interesting conception - splendid bass/piano/drum lines. Garnett solos on cymbals before hitting the skins.

Haiku, the form of Japanese poetry that has three lines each with five, seven and five syllables respectively transferred here into musical terms - not a foot-tapper.

Partido Tenor relates to the Brazilian partido alto rhythm. Sounds like a bossa to me! Whatever, solos capture the feeling.

Postscript is EMail recapitulated over a different rhythm but the same chime.

An excellent album that had me wondering just how many bands of this calibre are there in NYC? Lance

1 comment :

Jed Levy said...

Thank you ,Sir! Very glad you enjoyed the CD. I will be touring in the UK with a co-lead international quartet with the great UK guitarist ,Phil Robson. Dates in London, Birmingham, Leicester, Derby, Poole and Oxford. Hope to see you!

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