Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18219 (and counting) posts since we started blogging 17 years ago. 73 of them this year alone and, so far this month (Jan. 24), 73

From This Moment On ...

JANUARY 2026

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Community Hall. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 26, 2025

Album Review: Kristina Koller - Walk on By (self-produced)

Kristina Koller (vocals, arranger, producer); Fima Chupakhin (piano, Rhodes); James Robbins (bass, arranger); Cory Cox (drums).

The songs of Burt Bacharach and Hal David have been recorded by over a thousand artists. The music of that legendary team is in every way that appealing. So, for an artist to take on some of the Maestro’s greatest and most iconic commercial hits – and having the chutzpah to attempt to reimagine them - is a very dicey game. However, by offering ten of Burt’s best through different eyes, Walk on By from vocalist, arranger, Kristina Koller is indeed a winner.    

I’ll Never Fall in Love Again opens and is covered in a faux rock-funk vein. Koller buys wholeheartedly into the vibe and approaches things with a little more of an edge than as was in the Dionne Warwick original. The exchange between keys and drummer, as well as a slick anticipated jumped lyric before the finale, add to the uniqueness of this track.

The Carpenters hit, Close to You (originally recorded by Richard Chamberlain), here is re-arranged inside-out in a quirky 5/4 meter. The interesting effect, enhanced by drummer Cox’s time is truly unique. Koller wisely avoids miming Carpenter’s sweetness and Karen’s more innocent approach to the lines. Cox’s fine set-work, whether done intentionally or not, salutes Carpenter’s fine drumming abilities. Fima Chupakhin delivers an energized solo. It is a unique, highlight track. 

A House Is Not a Home, here slightly and spookily reharmonized and with a swaying 12/8 feel, has Koller soulful, but not overbearing. Her lyric/melodic timings are highly individual. Certainly less “operatic” than as the extravagantly-presented original, it is a fascinating take. 

That’s What Friends Are For, a Bacharach-Warwick hit song that developed into a phenomenon, is delivered fairly straightforward, although with some double-time underpinnings. Vocalist Rosemary Minkler joins Koller to reinforce the message. The slick engineered reverb segment (Minkler is an audio engineer, by the way) along with Chupakhin’s jazz stylings teases the listener for repeated playing of the track.

Koller has a higher, colorful and interesting voice. Not afraid to melodically and rhythmically tight-rope walk, her approach is versatile, unique and inviting. Pianist Fima Chupakhin is a fine, elaborate and energized player – and, an exceptional accompanist. Bassist James Robbins and drummer Cory Cox propel things along admirably throughout. The arrangements done by Koller and Robbins are truly imaginative and never lose focus.

If one recalls Warwick’s Don’t Make Me Over, it was a layered, heavily produced track with vocalist, orchestra, and chorus en masse sending out the command. Here we encounter a slimmer version with Koller more reserved, yet certainly getting the point across. She’s a softer messenger, yet vividly enhanced by Chupakhin’s accompaniments. Her movement into her upper register, i.e., “accept me for what I am …” is exceptional. Another interesting track. 

Distinguished from the straight-forward original, Walk on By is a “time sandbox” for Koller in which to play lyrically, melodically, and rhythmically. The effect is infectious. Purists might react, but this track adds a neat noir-like vibe to the tune. Bassist James Robbins offers a deep messaged solo. 

Bacharach’s Loving Is a Way of Living was originally recorded by Steve Lawrence (sans Eydie) in 1959, flopped (the B-side, I Don’t Care (Only Love Me) was the hit), and, when it is listened to today, has an odd out-of-place vibe. Koller and crew slow the tune down, opening with a nice piano intro. The presentation here is balladic with the vocalist accompanied by piano. Koller’s cover is so absolutely lovely that you would think it is a smash hit song from a current Disney animated film. An absolutely perfect example of re-imagination.

Knowing how musically discerning and genius-perfectionist Burt Bacharach was in-studio, I wonder what he might offer as a reaction to Kristina Koller’s breakthrough, Walk on By. Something tells me that given the high quality Koller and her fine playmates present, he might just ask to sit in. Nick Mondello

I’ll Never Fall in Love Again; Close to You; A House Is Not a Home; That’s What Friends Are For; Say a Little Prayer; Don’t Make Me Over; Walk on By; Reach Out for Me; Loving Is a Way of Living; What the World Needs Now.

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