Bebop Spoken There

Christian McBride: ''I believe we are living in a historically embarrassing moment in American history.'' - Downbeat December 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18083 (and counting) posts since we started blogging 17 years ago. 1047 of them this year alone and, so far this month (Dec. 14), 61.

From This Moment On ...

DECEMBER 2025

Sun 21: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. ‘Xmas Swingalong’. Skerritt w. backing tapes.
Sun 21: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00-5:00pm. Free.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Strictly Smokin’ Big Band @ o2 City Hall, Newcastle. 6:00pm. £35.80., £33.25., £31.00.
Sun 21: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music.
Sun 21: Tweed River Jazz Band @ The Barrels Ale House, Berwick. 7:30pm. Free.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. backing tapes.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:30pm. ‘The A Capella Sessions’. Gardner, Paula Gardner, Alexia Hope Gardner Diamany.
Wed 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:30pm. Skerritt w. backing tapes.

Thu 25: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:00pm. ‘All About the Bass Sessions’. Alexia Gardner, Paula Gardner, Jude Murphy.

Fri 26: ???

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 27: Leeds City Stompers @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.

Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 28: The Society Quartet @ Hilton Garden Inn, Sunderland. 6:30pm. Jason Holcomb & co.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Shalala @ The Globe, Newcastle. 8:00pm. £8.00., £7.00. adv.

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Lil Miss Mary & the Mr Rights Trio @ Billy Bootlegger’s, Newcastle. 2:00pm. Free. ‘Early NYE Bash’. Rockabilly, rhythm & blues.
Wed 31: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. ‘Midnight in Manhattan’ NYE party. £49.46 (inc. bf) & £29.38 (inc. bf).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 26, 2025

Album Review: Kristina Koller - Walk on By (self-produced)

Kristina Koller (vocals, arranger, producer); Fima Chupakhin (piano, Rhodes); James Robbins (bass, arranger); Cory Cox (drums).

The songs of Burt Bacharach and Hal David have been recorded by over a thousand artists. The music of that legendary team is in every way that appealing. So, for an artist to take on some of the Maestro’s greatest and most iconic commercial hits – and having the chutzpah to attempt to reimagine them - is a very dicey game. However, by offering ten of Burt’s best through different eyes, Walk on By from vocalist, arranger, Kristina Koller is indeed a winner.    

I’ll Never Fall in Love Again opens and is covered in a faux rock-funk vein. Koller buys wholeheartedly into the vibe and approaches things with a little more of an edge than as was in the Dionne Warwick original. The exchange between keys and drummer, as well as a slick anticipated jumped lyric before the finale, add to the uniqueness of this track.

The Carpenters hit, Close to You (originally recorded by Richard Chamberlain), here is re-arranged inside-out in a quirky 5/4 meter. The interesting effect, enhanced by drummer Cox’s time is truly unique. Koller wisely avoids miming Carpenter’s sweetness and Karen’s more innocent approach to the lines. Cox’s fine set-work, whether done intentionally or not, salutes Carpenter’s fine drumming abilities. Fima Chupakhin delivers an energized solo. It is a unique, highlight track. 

A House Is Not a Home, here slightly and spookily reharmonized and with a swaying 12/8 feel, has Koller soulful, but not overbearing. Her lyric/melodic timings are highly individual. Certainly less “operatic” than as the extravagantly-presented original, it is a fascinating take. 

That’s What Friends Are For, a Bacharach-Warwick hit song that developed into a phenomenon, is delivered fairly straightforward, although with some double-time underpinnings. Vocalist Rosemary Minkler joins Koller to reinforce the message. The slick engineered reverb segment (Minkler is an audio engineer, by the way) along with Chupakhin’s jazz stylings teases the listener for repeated playing of the track.

Koller has a higher, colorful and interesting voice. Not afraid to melodically and rhythmically tight-rope walk, her approach is versatile, unique and inviting. Pianist Fima Chupakhin is a fine, elaborate and energized player – and, an exceptional accompanist. Bassist James Robbins and drummer Cory Cox propel things along admirably throughout. The arrangements done by Koller and Robbins are truly imaginative and never lose focus.

If one recalls Warwick’s Don’t Make Me Over, it was a layered, heavily produced track with vocalist, orchestra, and chorus en masse sending out the command. Here we encounter a slimmer version with Koller more reserved, yet certainly getting the point across. She’s a softer messenger, yet vividly enhanced by Chupakhin’s accompaniments. Her movement into her upper register, i.e., “accept me for what I am …” is exceptional. Another interesting track. 

Distinguished from the straight-forward original, Walk on By is a “time sandbox” for Koller in which to play lyrically, melodically, and rhythmically. The effect is infectious. Purists might react, but this track adds a neat noir-like vibe to the tune. Bassist James Robbins offers a deep messaged solo. 

Bacharach’s Loving Is a Way of Living was originally recorded by Steve Lawrence (sans Eydie) in 1959, flopped (the B-side, I Don’t Care (Only Love Me) was the hit), and, when it is listened to today, has an odd out-of-place vibe. Koller and crew slow the tune down, opening with a nice piano intro. The presentation here is balladic with the vocalist accompanied by piano. Koller’s cover is so absolutely lovely that you would think it is a smash hit song from a current Disney animated film. An absolutely perfect example of re-imagination.

Knowing how musically discerning and genius-perfectionist Burt Bacharach was in-studio, I wonder what he might offer as a reaction to Kristina Koller’s breakthrough, Walk on By. Something tells me that given the high quality Koller and her fine playmates present, he might just ask to sit in. Nick Mondello

I’ll Never Fall in Love Again; Close to You; A House Is Not a Home; That’s What Friends Are For; Say a Little Prayer; Don’t Make Me Over; Walk on By; Reach Out for Me; Loving Is a Way of Living; What the World Needs Now.

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