Bebop Spoken There

Warne Marsh: "At some point, you have to be prepared to create—to perform. It's vital, man, if we're talking about jazz, the original jazz, the performing art. It fulfils its meaning only when you play it live in front of an audience." DownBeat January 1983.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18191 (and counting) posts since we started blogging 17 years ago. 45 of them this year alone and, so far this month (Jan. 14), 45

From This Moment On ...

JANUARY 2026

Sat 17: Homer’s Lane + John Garner & John Pope @ St John’s Church, Riding Mill. 2:00-4:00pm. Free. Gabriele Heller’s audio play + Garner & Pope.
Sat 17: Martyn Roper @ Billy Bootleggers, Newcastle. 5:00pm. Free. Roper’s ‘One Man Blues Band’.
Sat 17: Ray Stubbs R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.
Sat 17: Alexia Gardner Trio @ FIKA Art Gallery, Morpeth. 7:00pm (6:30pm doors). Gardner, Alan Law & Jude Murphy.

Sun 18: Louis Louis Louis @ The Cluny, Newcastle. 2:00pm (doors). £15.00. Swing, jump jive, rhythm & blues. Fundraiser for St Oswald’s Hospice.
Sun 18: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Rod Sinclair.
Sun 18: Glenn Miller Orchestra UK @ The Glasshouse, Gateshead. 3:00pm.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Herdman-Strong Quartet @ The Globe, Newcastle. 8:00pm.

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Joe Deans.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: 2025 obituaries.
Thu 22: Ronnie Scott’s Soho Songbook @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Thu 22: Castillo Nuevo Orquesta. @ Pilgrim, Newcastle. 8:00pm (doors). £6.50 (inc. bf).

Fri 23: Sue Ferris Quintet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, December 05, 2025

Organology @ The Exchange 1856, North Shields - Dec. 4

© Ken Drew
Gilad Atzmon (alto sax); Ross Stanley (Hammond); Joel Barford  (drums)

I could sum up this gig in one word - Awesome! or in four words - Gig of the Year, it was that good. However, for those pernickety readers who want more then I'll give you three good reasons for the superlatives.

1. Joel Barford. He could make a lead balloon swing. Amazing technique. A young dog with new tricks.

© Ken Drew
2. Ross Stanley. The undisputed master of the Hammond and Leslie  the perfect foil for what's going on in front.

3. Gilad Atzmon. Gilad ensured there was plenty going on in front. Apart from his incredible technique the thing that grabbed me was his sound. he blows the air down one end and it comes out the other which is what all brass and woodwind players do. In Gilad's case however, the column of air resonates off the body of the instrument resulting in that big fat sound. Bird had it, Konitz dIdn't, Gilad has.

The material, apart from a couple of originals, were familiar standards albeit somewhat less familiar once Gilad had upped the ante.

© Ken Drew
After workouts on Mack the Knife and Secret Love came the first original, Facing the Waves. Beginning with an exotic Middle Eastern theme, a mesmerising exploration of what seemed to be a double harmonic scale before evolving into some Trane-like sheets of sound - breathtaking.

Alone Together had Gilad and Joel trading in a fantastic round of fours before Darn That Dream, and a bossa(ish) based original, La Holly Cove, brought us to the break. There was a beautiful aura about the building and I felt privileged to be there whilst, at the same time, sorry for those who didn't make the effort.

© Ken Drew
You Don't Know What Love is segued into White Christmas which was nothing like the ones we used to
know and had Barford going to town.  By this time I was so engrossed I stopped taking notes. It was around about now that Gilad and Ross indulged in a Bachian fugue-like passage that was quite amazing.

There is no Greater Love and My One and Only Love were followed by Scarborough Fair - Simon and Garfunkel it wasn't!.

What a Wonderful World brought the Show to a close and I left floating on a cloud. Lance

at

No comments :

Post a Comment

Subscribe to: Post Comments ( Atom )

Blog Archive