Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18413 (and counting) posts since we started blogging 18 years ago. 277 of them this year alone and, so far this month (April 7 ) 11,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Mon 13: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 14: Pete Tanton’s Cuban Heels @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.
Tue 14: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 16: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jewish Musicians/Composers/Vocalists.
Thu 16: Sleep Suppressor + Silk Road + So Anne So @ The Globe, Newcastle. 7:00pm. £10.00., £8.00., £6.00.
Thu 16: Fourpenny Rabbits @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 17: Russ Morgan Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Ben Crosland Quartet @ Sunderland Minster. 7:30pm. £12.96 (inc. bf) online; £15.00 on the door. Old Black Cat Jazz Club.

Sat 18: Tyne Valley Big Band @ Bishop Auckland Town Hall. 11:00am-4:00pm. A Food Festival event.
Sat 18: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Swing dance sessions + Bright Street Big Band 7:30-8:15pm & 8:45-9:30pm.
Sat 18: Glenn Miller & Big Band Spectacular @ The Phoenix Theatre, Blyth. 7:30pm. £27.00 (inc. bf).

Sun 19: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Lara Hopper.
Sun 19: Pete Tanton’s Chet Set @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 19: Straight to Tape @ The Tyne Bar, Newcastle. 4:00pm. Free. Edd Carr, Jonathan Proud, John Hirst. Blues trio.
Sun 19: Graham Hardy’s Eclectic Quartet @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Friday, December 05, 2025

Organology @ The Exchange 1856, North Shields - Dec. 4

© Ken Drew
Gilad Atzmon (alto sax); Ross Stanley (Hammond); Joel Barford  (drums)

I could sum up this gig in one word - Awesome! or in four words - Gig of the Year, it was that good. However, for those pernickety readers who want more then I'll give you three good reasons for the superlatives.

1. Joel Barford. He could make a lead balloon swing. Amazing technique. A young dog with new tricks.

© Ken Drew
2. Ross Stanley. The undisputed master of the Hammond and Leslie  the perfect foil for what's going on in front.

3. Gilad Atzmon. Gilad ensured there was plenty going on in front. Apart from his incredible technique the thing that grabbed me was his sound. he blows the air down one end and it comes out the other which is what all brass and woodwind players do. In Gilad's case however, the column of air resonates off the body of the instrument resulting in that big fat sound. Bird had it, Konitz dIdn't, Gilad has.

The material, apart from a couple of originals, were familiar standards albeit somewhat less familiar once Gilad had upped the ante.

© Ken Drew
After workouts on Mack the Knife and Secret Love came the first original, Facing the Waves. Beginning with an exotic Middle Eastern theme, a mesmerising exploration of what seemed to be a double harmonic scale before evolving into some Trane-like sheets of sound - breathtaking.

Alone Together had Gilad and Joel trading in a fantastic round of fours before Darn That Dream, and a bossa(ish) based original, La Holly Cove, brought us to the break. There was a beautiful aura about the building and I felt privileged to be there whilst, at the same time, sorry for those who didn't make the effort.

© Ken Drew
You Don't Know What Love is segued into White Christmas which was nothing like the ones we used to
know and had Barford going to town.  By this time I was so engrossed I stopped taking notes. It was around about now that Gilad and Ross indulged in a Bachian fugue-like passage that was quite amazing.

There is no Greater Love and My One and Only Love were followed by Scarborough Fair - Simon and Garfunkel it wasn't!.

What a Wonderful World brought the Show to a close and I left floating on a cloud. Lance

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