Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18482 (and counting) posts since we started blogging 18 years ago. 346 of them this year alone and, so far this month (April 30 ) 80

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Mon 04: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Pete Tanton’s Cuban Heels @ The Library, South Parade, Whitley Bay. 4:00-6:00pm. Free.
Mon 04: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 05: Leah Kirk (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 2:30pm. Free, open to the public.
Tue 05: Jenny Baker (voice): Final Year Music Recital @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 4:20pm. Free, open to the public.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Tim Johnston (drums).
Tue 05: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Robert Finley @ The Cluny, Newcastle. 7:30pm (doors). £17.50. Excellent US falsetto soul/blues voice.
Thu 07: ALT @ The Black Swan, Newcastle. 7:30pm. Free. Alan Law, Paul Grainger, Rob Walker. Thu 07: Liam & Shayo @ The Globe , Newcastle. 8:00pm. £5.00. Liam Oliver (guitar), Shayo Oshodi (vocals).
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 08: Alan Law Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Law, Mick Shoulder, John Bradford.
Fri 08: Giles Strong & Richard Herdman @ Jesmond Library, Newcastle. 1:00pm. £5.00. Guitar duo.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Milne Glendinning Band @ Cobalt Studios, Newcastle. 6:00pm . Free. A Late Shows event.
Fri 08: Nigel Kennedy @ The Hippodrome, Darlington. 7:30pm. Line-up inc. Alec Dankworth.

Sat 09: SH#RP Collective w. Lindsay Hannon @ Church of Holy Name, Jesmond, Newcastle. 7:30pm (7:00pm doors). £15.00 (inc. a welcome drink). Advance booking essential. Bring own snacks, drinks to be purchased at ‘donations’ bar. All proceeds to charity. A Jesmond Community Festival event.
Sat 09: East Coast Swing Band @ Jubilee Hall, Rothbury. 7:30pm. £10.00.

Sun 10: Michael Young Trio @ The Engine Room, Sunderland. 12 noon. Free. Note earlier start.
Sun 10: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 10: The Chet Set @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Wednesday, December 31, 2025

The thoughts of saxman Branford

Branford Marsalis: “A band has to have great followers, you can't have five great leaders” – (Down Beat December 1982).

Branford Marsalis: "...if someone is going to serve your head on a platter, you want it to be Sonny Rollins not some guy at Smalls who nobody knows." - (Down Beat July 2004.)

Branford Marsalis: "Why isn't jazz popular? Because jazz musicians today are completely devoid of character." - (The Jazz Ear - Ben Ratliffe).

Branford Marsalis: “I loved it (Mahler's 3rd Symphony) so much that I stole Wynton's record when I went away to college" - (Jazz Journal May 2013.)

Branford Marsalis: “When I knew I was going to do the [solo] concert…if it’s good we release it, if it’s shite, well I have this big pile of shite that I can listen to – to remind myself how much better I need to be.” – (Jazzwise December 2014/January 2015).

Branford Marsalis: “I learned a lot on that [1985] tour and Sting’s a wonderful person and a really incredibly smart guy and helluva song writer…” – (Jazzwise December 2014/January 2015).

Branford Marsalis: "Back in 1990, I used to go waltzing past the melody, treating it as something to sidestep before starting to solo in double time. " - (Jazzwise April 2019).

Branford Marsalis: "I was a Mets season ticket holder. I remember when they were in old ragged ass Shea Stadium. you could go to a professional baseball game for $25. Now, that's the price of popcorn and a Coke. So who is jazz for? Music is for everybody, but there are market realities -(DownBeat, May 2019).

Branford Marsalis: "I don't know any good music that isn't borrowed from somewhere else - (DownBeat, May 2019).

Branford Marsalis: "You talk to the old guys about it [52nd St.], and they say the music part was great. Every other aspect of it [pay, hours, conditions] sucked" - (DownBeat, May 2019).

Branford Marsalis: "I went off and played with Sting (in the '80s), a great guy and fantastic songwriter." - (JazzTimes June 2019).

Branford Marsalis: “Art [Blakey] taught  in the Socratic manner. He'd force you to think, and through thinking, you arrive at the answer ”. (DownBeat, January, 2020).

Branford Marsalis: "As ignorance often forces us to do, you make a generalisation about a musician based on one specific record or one moment in time." - (Jazzwise June 2023).
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