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Bebop Spoken There

John McLaughlin: '' A Love Supreme coincided with my search for meaning in life". (DownBeat, March 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17838 (and counting) posts since we started blogging 17 years ago. 159of them this year alone and, so far, 6 this month (March 3).

From This Moment On ...

MARCH 2025.

Mon 10: Harmony Brass @ Cullercoats Crescent Club.

Tues 11: Solea @ Earthlings, the Healing Café, 94 Buckingham St., Newcastle, NE4 5QR. 7:00-8:45pm. Food available if ordered before 6:30pm. New band: Johannes Dalhuijsen (tenor sax, bass clarinet); Richard Herdman (guitar); Nick Bagnall (bass guitar); John Hirst (drums).
Tue 11: Giles Strong Quartet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: The Exu + Matt Cliffe @ Cobalt Studios, Newcastle. 7:00pm.
Thu 13: Oh La La! @ Allendale Village Hall, Northumberland. 7:30pm. £12.00.; £6.00. child. Fifi La Mer (accordion, vocals), Oliver Wilby (reeds).
Thu 13: Fiona Finden’s Jazz Express @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 14: Pete Tanton’s Chet Set @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 14: Paul Taylor @ Jesmond Library, Newcastle. 1:00-2:00pm. £5.00. at the door. Second Friday in the month lunchtime concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Brass Funkeys + Dilutey Juice @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Oh La La! @ Edmundbyers Village Hall, Co. Durham. 7:30pm. £12.00.; £10.00. (additional £5.00. supper option, ordered in advance). Fifi La Mer (accordion, vocals), Oliver Wilby (reeds).
Fri 14: The Collective @ Pilgrim, Newcastle. 7:30pm. £8.50.
Fri 14: Bridget Metcalfe Quintet @ St George’s Venue, Park Road, Hartlepool. 7:30pm.

Sat 15: Hot Teapots @ St Augustine’s Parish Centre, Darlington. 12:30pm.
Sat 15: Creakin’ Bones @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Is This Jazz? @ Cobalt Studios, Newcastle. 7:00pm. Tickets: www.eventbrite.co.uk. Performances by Mu Quintet, Jinjé, A Brief Utopia, John Pope & Co + André Marmot (author of Unapologetic Expression: The Inside Story of the UK Jazz Explosion) in conversation + DJ sets ‘til 3:00am. ‘A Festival of New Jazz’.
Sat 15: Vintage Explosion @ The Cluny, Newcastle. 7:30pm. SOLD OUT!
Sat 15: Alligator Gumbo @ The Forum, Darlington. 7:30pm. £15.00.
Sat 15: One Night Standards @ The White Room, Stanley. 8:00pm. £8.67 (inc. bf). Note - previously advertised Salty Dogs cancelled.
Sat 15: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, December 31, 2024

Album review: Sullivan Fortner - Southern Nights (Artwork Records)

Sullivan Fortner (piano); Peter Washington (bass); Marcus Gilmore (drums)
Going by this album, Fortner is probably one of the most original piano stylists currently gracing the scene.  

Recorded after a week's engagement at the Village Vanguard in NYC it seemed a natural progression for the trio to take their collaboration into the studio where they laid down nine diverse tracks.

Southern Nights: New Orleans' legend Allen Toussaint composed the title track and Fortner, who also has a Louisiana heritage, easily related to the mood.  His style is original and takes time to absorb. It's a bit like when, as a youngster, you have your first taste of beer, furtively smoke your first cigarette after school, or hear Monk for the first time. Things that take time to grow upon you.

By the time I'd reached Woody Shaw's Organ Grinder, unlike smoking, Fortner's playing, like Monk's, had most definitely grown on me!

In between, Cole Porter's I Love You had me still coming to terms with the music. One thing was certain, this was not your average pianist. Imagine if Keith Jarrett, Monk and Jelly Roll Morton had combined to form an unholy trinity...  Unusual voicings and the swing that was there but had eluded me was beginning to emerge. Gilmore solos and he too is quite individualistic.

9 Bar Tune does what it says on the tin. Going by the title it didn't take much thought to guess that this would be a Fortner original and it was. Again Gilmore pops his head above the parapets and fires off a few shots that do away with some of the infidels. Tres Palabras features an agile bass solo over a Spanish rhythm with some perky piano punctuations.

Waltz for Monk. Like the inevitability of Stanley meeting Livingstone or Darby meeting Joan so Fortner and Thelonious finally meet up via this Donald Brown composition. By this time I'm totally hooked and Sullivan Fortner is now my man!

Again, Never, a title I felt should have had a question mark and then an exclamation mark after each word viz: Again? Never!. However, that would have ran contrary to the mood of Bill Lee's composition which is a beautiful, explorative ballad.

Discovery swings gently, Fortner's unique harmonies a rich blend that results in the perfection so many pianists seek but don't always find. A discovery for me too.

Daahoud: Clifford Brown's classic is given the post-bop treatment that both the tune and the composer deserve. 

Organ Grinder. Nothing more to say. I'm converted from doubter to devotee. It hits the virtual streets in February but, already the online hucksters are taking pre-orders at 'special prices'. You know who they are, flush 'em out! Lance

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