Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, May 24, 2023

Album review: Noah Haidu - Standards

Noah Haidu (piano); Buster Williams/Peter Washington (bass); Lewis Nash (drums) + Steve Wilson (alto sax)

Before you knock it as 'just another standards album', pause and reflect that most 'originals' are contrafacts of standards and, sometimes, not as good as the composer's initial statement although, once the jazz folk get their paws on them a number that began life as a maudlin ballad in a Broadway show (e.g You and the Night and the Music) becomes bread and butter for the jazzer and no more so than in the hands of the piano trio. Wilson, Powell, Garner, Peterson, Evans, Jarrett and co.  knew what their audience wanted and they dished it out in their identifiable, stylistic manner*. 

Haidu, who cites Jarrett's Standards Trio album from 40 years ago as his inspiration, knows a good tune when he hears one and, with this release, he joins the above pantheon of greats aided and abetted by a sound rhythm section with altoist Wilson applying some tasty icing to four of the tracks.

A fine album well worth checking out. Lance

Available June 23 on Sunnyside Records.

Old Folks; Just in Time; Beautiful Friendship; All the Way; Someday my Prince will Come; You and the Night and the Music; Ana Maria; Skylark; I Thought About You; Last Dance 1; Last Dance 11 

*Sting, Rod Stewart, Paul McCartney and many other rockers also realised that the streets of Manhattan and Broadway in particular were (potentially) lined with gold. Jazz knew this from day one.

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