Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, May 29, 2023

Sugaray Rayford @ the Fire Station, Sunderland - May 26

My first time at the Sunderland Fire Station, a nice spacious venue. I was expecting a blues artist – generally a safer bet for this type of gig – but what we got was more soul. Neither neo nor retro but the type of thing that’s just kept going quietly in the hinterland ever since soul music’s heyday.

And he could sing too, the best comparison I could come up with was Eddie Levert of the O’Jays, one of the very best, though playing an album by bluesman Lucky Peterson on the way home also showed similarities, which was a happy coincidence.

And he was funny, though his preoccupation with big-legged women with big booties may have proved troublesome in another town with a different generation in amongst the 120 strong audience.

 

Bill Withers Who is he and What is he to You? opened the set but was followed by mostly original stuff, him doing much booty shaking to songs about big-legged ladies. A couple of blues excursions proved they could do that too, lots of rock star posturing by the appropriately attired guitarist.

 

Just to demonstrate how good his band were – and he also had trumpet, sax, keyboards, bass and drums (though the guitarists resonator sadly remained on the stand, perhaps an indication that getting more bluesy could have been an option) – they gave us short bursts of reggae, country and western and bebop, asking the audience if the latter was over our heads. Perhaps, but maybe also above the heads of the band who were very good but not quite great.

 The low-point came when the keyboardist – playing mostly a Hammond sounding organ clone – sang what Sugar described as a negro spiritual but sounded to me more like Meatloaf, the guitarists posturing reaching its apogee.

 

Two albums at the merch stand: one more soul and the other more blues according to the salesperson. Mrs T streamed the soul one and I bought a CD of the blues one but he’d got them the wrong way round.  Will we see Mrs T coming round to blues?! Steve T      

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