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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 28, 2023

Album review: Sharp Little Bones with Tony Kofi

Tony Kofi (alto sax); Simon Paterson (basses); Paul Deats (keyboards); Andrew Wood (drums). 

(Press release) The core trio of Sharp Little Bones are joined by MOBO-nominated, multi-BBC Jazz and Parliamentary Jazz Awards winner Tony Kofi. Together, they perform brand-new compositions that are tight, energetic, catchy, and melodic. Their sound has fresh, contemporary appeal: live acoustic forces rooted in bebop and blues, embellished with tasteful electronics and warm, analogue synth textures.

Sharp Little Bones (Volumes I & II) was recorded high on the buzz from their sell-out shows and during the hottest two days of summer 2022 at Metronome, Nottingham. The double album of entirely new, exciting music captures the energy, virtuosity, and soul of the house trio of Peggy's Skylight (a multi-award-winning jazz venue). Throughout the album, the compositions reach deep within and far outside the jazz canon. There are catchy, energetic tracks, beautiful bass-led melodies, spacious ballads, spiritual and expansive atmospheres, hard swingers, and groove-led pieces full of vibe. Within well-crafted, melodic writing and tight, rhythmical arrangements there’s freedom for expressive solos and group-led improvisation.

Simon Paterson explains: We hunkered down and hit the ground, recording a double album in just nine hours. We were having such a blast, really listening to, reacting to, inspiring each other, and having meaningful musical conversations. Everything sounded so great in the studio, we just let it rip, track after track, so what you're hearing is all live and mostly single takes. I'm super excited to get this album out there." Simon continues, sharing his background as a musician: “I've been a professional electric and upright bassist for some years but didn't follow the traditional path into jazz performance. As an undergraduate, I majored in classical music composition before studying sound engineering and production. I've written music for TV, adverts, short films, plays, cartoons, and songs for many years. I love melody, and I knew the music I wanted to write and perform had to be melodic, accessible, and soulful. After all, these were the things that attracted me to jazz in the first place. I'm also a music technologist, so I'm interested in exploring ways to use technology to enhance musical performances and connect to audiences in subtle but innovative ways.

 

We love playing standards, and it's a privilege to help keep that tradition alive. Still, to be playing to audiences who really enjoy the experience of hearing new music has been a dream and an inspiration. I am indebted to Paul Deats (piano, electric piano and synth) and Andrew Wood (drums), with whom I've played for years. We're the house band at Peggy's Skylight in Nottingham so we've played with some amazing musicians over the years. It was a no-brainer hooking up with these guys for this project. We play together so intuitively and arranging these new pieces together has been such a pleasure. I first played with Tony Kofi at a jam in Nottingham, just as I was starting out as a bassist. I don't remember what we played, and I dread to think about where my jazz chops were at that time. Still, I'll never forget the vibe: it was palpable, and I've been chasing that feeling ever since. I put on a concert for Black History Month in 2020, which gave me an opportunity to work with Tony again. It was so wonderful to share a stage with him, to witness the spirit he embodies and feel the energy he consistently brings. I dared to ask him if he'd be a part of my new band and was totally overjoyed when he agreed.

 

The sum of all parts makes Sharp Little Bones’ prolific recording a must have release and an excellent addition to this years’ musical canon.


Release date : May 12, Ubuntu Music.

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