Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, October 26, 2022

Sunday Night @ the Globe: Aonghus McEvoy Group - Oct. 23

(© Ken Drew)
Aonghus McEvoy (guitar);  Ailbhe Nic Oireachtaigh (viola); Sean Maynard Smith (double bass);  David Lacey (drums)

Whilst co-promoted by Jazz North East and the Tyneside Irish Festival, this concert didn’t attract a sizeable audience, which is a shame not least because they had travelled some distance to perform, and it turned out to be an excellent night, albeit surprising in many ways.


I must admit I thought I was ready for something ‘different’ after reading Paul Bream’s Jazz Alert: The music of the Aonghus McEvoy Group sits at several removes from either ‘conventional’ jazz or Irish folk traditions, although there are hints of both……. listening to tracks from the group’s album ‘Under & Cracked’ is a thoroughly gripping experience, with the very fact that the music evolves in unexpected directions commanding and rewarding close listening and so was highly recommended. 

Quite so, although it took me a while to appreciate the full extent of what they were about. Moving  between segments of repetitive solo guitar to repetitive segments of full-on group interplay, there were moments in which to catch your breath, but many moments when you couldn’t quite do that – due to the pace and loudness - occasionally too loud for my ears.  Sadly for me it was the drums which were excessively loud, matched by a just-audible viola player. The guitar was quite rightly prominent with McEvoy demonstrating superb skills on acoustic and electric, with the bass supporting well.


The musicianship and interplay on display was greatly received, and several of the audience on exit at the end, greatly appreciated the night. Thanks Paul for raising the expectations, and thanks to the band for expanding our musical horizons. Ken Drew

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