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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 06, 2022

A dozen baritone bosses

1) Harry Carney. It couldn't be anyone else. He practically invented the instrument and no one had his sound or his breath control. He wasn't a bopper and maybe not a great improviser but what he brought to the Ellington orchestra with the depth he added to the sax section established his credentials without doubt.

2) Pepper Adams. It was only this year when my eyes/ears were opened to Adams. The recently discovered album with the Tommy Banks Trio made me aware that this was a guy who should have won every poll imaginable - a Grandmaster.

3) Cecil Payne. I'd heard Payne with both Basie and Herman - good, but no cigar. However, when I heard him on a recording of Freddie Redd's The Connection I was completely blown away. At that moment in time ('60s) I'd never heard bari playing like it. I loaned the album to a friend who subsequently died and, presumably, the album went with him.

4) Serge Chaloff. The fifth of Woody's Four Brothers, he anchored that famous sax section but came into his own on Blue Serge. An album that demonstrated that the instrument didn't have to have the bombast and bluster of the other heroes but could also be as subtle and as smooth as Getz's tenor.

5) Gerry Mulligan. After the success of his pianoless quartet with Chet Baker, Mulligan dominated the baritone section of the various polls. His dry sound and laid back solos personified jazz on the west coast.

6) Gary Smulyan. Of course all of the above are gone leaving the door open for the new breed and none more so than Smulyan who incorporates all of the attributes of the above with his own individuality.

Meanwhile, back here in the UK ...

1) John Surman. Surman may have now moved in different directions and not always have taken me with him but, when he emerged on the scene with the various Mike Westbrook outfits he blew all the other low reeds out of sight!

2) Alan Barnes. Baritone may not be his first call instrument but when the call comes he does the business. He plays hot, he plays cool and, on whatever instrument, he plays for keeps!

3) Joe Temperley. Not sure if Joe should be in the US or UK listings as he spent most of his playing career in the States, where he took over Carney's chair in the Ellington band and, latterly in Wynton Marsalis' Lincoln Center Jazz Orchestra. However, my most precious memory is of hearing him alongside Tony Coe and Jimmy Skidmore in Humph's first truly mainstream band.

4) Ronnie Ross. For many years the UK's number one. In the frontline of the post-war British modern jazz scene, his smooth delivery kept him up there in the MM polls.

5) Harry Klein. Another fine player operating in the mainstream to modern area. His broadcasts with Kenny Baker's Dozen were always good to hear on those Friday nights long, long ago.

6) Sue Ferris. I'll probably be accused of parochialism for including Sue but, in my (and her) defence, that memorable night at Ushaw College when she traded baritone choruses with Alan Barnes was the musical equivalent of 'The Thriller in Manila' and is already a part of north east jazz folklore. Lance

2 comments :

Gordon Solomon said...

Hi Lance, I’m surprised you omitted UK player John Barnes.
John was many times winner of the Baritone Sax category in the British Jazz Awards, and also appeared in the American Downbeat Poll.
Cheers,
Gordon Solomon.

Lance said...

You're spot on Gordon - how remiss of me! Let's put him at joint second with Alan Barnes and call it a baker's dozen. What I liked about Johnny, apart from his playing, was that, like Roy Williams and Digby Fairweather, you may have only met him/them once and they'd greet you as if they'd known you all your life!

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