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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

APRIL 2025

Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.

Wed 02: Lauren Bush: The Jazz Singer’s Toolkit @ The Pele, Corbridge. 1:00-4:00pm. Vocalist Lauren Bush with pianist Jamil Sheriff presents a jazz singing workshop. £40.00. (inc. evening concert, see below). Registration required for workshop: www.laurenbushjazz.com. All ability levels welcome.
Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Jason Isaacs @ St. James’ STACK, Newcastle. 2:30-4:30pm. Free. Vocalist Isaacs working with backing tapes.
Wed 02: Lauren Bush & Jamil Sheriff @ The Pele, Corbridge. 7:00-9:00pm. £10.00. Concert performance. Tickets: www.laurenbushjazz.com.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. POSSIBLE CANCELLATION. See website for updates: www.theglobenewcastle.bar.

Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Women in Jazz.
Thu 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 03: New ’58 Jazz Collective @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. First Thursday in the month.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, October 04, 2022

Newcastle Festival of Jazz and Improvised Music: Orphy Robinson in conversation + Beck Hunters with Laura Cole & John Pope + Daniel Levin + Black Top with Mariam Rezaei @ The Lit & Phil - Oct. 1

(© Ken Drew)
Beck Hunters: Mick Beck (tenor sax, bassoon, whistles); Laura Cole (piano); Anton Hunter (guitar); John Pope (bass); Johnny Hunter (drums)

Beck Hunters, an established trio, with the addition of Laura Cole and John Pope got proceedings underway for Saturday Night at the Lit and Phil. 


Rarely is a bassoon  seen in a jazz context but Mick Beck employed this orchestral woodwind behemoth to marvellous effect yet that was only one of the many instruments employed by the doyen of the Sheffield improvised jazz scene. An ordinary whistle and a swanee whistle were also employed and of course the more conventional tenor saxophone. 


You would not have believed that this was the first time this band had played together. The music was absolutely exceptional as it flowed seamlessly throughout. Beck is a master saxophonist, the fabulous Hunter boys were fabulous as usual, festival favourite John Pope on double bass (by my calculations the  Pontiff will have participated on 5 of the 8 festival's days) was his usual ebullient self. Laura Cole on the piano was sensational. There was so much fantastic playing it was impossible who to select who to focus on as wonderful sounds seemed to be emanating from every  corner of the stage. A real great performance -  my favourite of the festival.


Daniel Levin (cello)


In keeping with the theme of instruments rarely seen in a jazz context the cello was featured in the solo spot of the night. Brooklyn based Daniel Levin is a one man activity centre. 


Every part of the cello is incorporated into his routine. Even the bow is used in a number of non-standard ways including swishing it through the air (as I was  seated literally in front of Levin  this was quite alarming as any miscalculation would have seen me floored) and using it as a stick to beat things with. Levin mixes classical passages with free improvisation and the percussive effects he manages to carve out from every part of the instrument  including the spike on the bottom of the cello was captivating.


The cello is more often than not associated with gentle and melancholy music. In the hands of Daniel Levin it is a brute of an instrument able to conjure up an exciting and exhilarating  musical and visual extravaganza.


Black Top: Orphy Robinson (xylosynth & electronics); Pat Thomas (piano & electronics); Mariam Rezaei (turntables).


(© Ken Drew)
The evening culminated with yet another unusual vehicle rarely, if ever, seen at a jazz gig. This time it was the turntables of Mariam Razaei. Black Top is the brainchild of Orphy Robinson and Pat Thomas and since its inception they have invited many guests to participate. Both Thomas and Robinson had their regular instruments but they also had electronic devices so to be honest at times it was hard to work out who was doing what with what but judging by the amount of activity on stage it appeared that Razaei was doing most of the hard yards as she frantically worked the dials and knobs of her music station.  

The band themselves describe their output as "archaic Nubian dubstep". I'm not sure what that means but what was witnessed was a high tech, high energy, high volume  celebration of improvised electronic composition.

 

(© Ken Drew)
At the start of the evening there was an  enjoyable conversation between Orphy Robinson and Corey Mwamba. I remember seeing Orphy Robinson in the Jazz Warriors in the 1980s' so it was a very enjoyable trip down memory lane for me. Robinson reminisced about his journey as a multi instrumentalist, composer and educator going as far back as his early school days in Hackney. As a youngster he used to take teaspoons up to his room at night to use them to practice with hoping he wouldn’t disturb the rest of the house. Of course they heard the disturbance and also noticed there was nothing to stir their tea with. Robinson has certainly had a fulfilling and illustrious  career to date and judging from his number of appearances in this festival fortunately shows no signs of slowing down. Steve H 

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