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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17777 (and counting) posts since we started blogging 17 years ago. 98 of them this year alone and, so far, 23 this month (Feb.8).

From This Moment On ...

February 2025

Sun 09: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 09: Glenn Miller & Big Band Spectacular @ The Forum, Billingham. 3:00pm.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: Tom Remon & Mark Williams @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 09: Rod Oughton’s Tomorrow’s New Quartet with Ben van Helder @ The Globe, Newcastle. 8:00pm. Line-up inc. Deschanel Gordon.
Sun 09: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 11: Steve Summers Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (tenor sax).
Thu 13: MOBO Awards Fringe 2025: Artist Showcase @ The Glasshouse, Gateshead. 7:00pm. Free (ticketed). Line-up inc. Hannabiell & Midnight Blue.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 14: John Rowland Trio @ Jesmond Library, Newcastle. 12:30-1:30pm. £5.00. at the door. New second Friday in the month concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Archipelago + Anna Tempest @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Paul Jones & Dave Kelly @ Alnwick Playhouse. 7:30pm. Rhythm & blues.
Fri 14: Alexia Gardner Quintet @ The White Room, Stanley. 7:45pm.
Fri 14: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: James Birkett & Emma Fisk @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 15: Elkie Brooks @ The Glasshouse, Gateshead. 7:30pm. ‘The Long Farewell Tour’.
Sat 15: Milne Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, October 02, 2022

Newcastle Festival of Jazz and Improvised Music: Adam Johnson plays the music of John Cage @ the Lit & Phil - Sept. 30

(© Ken Drew)
Adam Johnson (prepared piano)

I guess most people have heard of John Cage, but relatively few have heard his music, and even fewer seen and heard a live performance of his work.  Such a performance was held at the Lit & Phil as part of the Newcastle Festival of Jazz and Improvised Music. After an enthusiastic introduction, James Smith, revealed that one of his goals in life was to see a live performance of Cage’s music for prepared piano.


The first piece titled 4'33 (in three movements) lasted exactly 4 minutes and 33 seconds and was greeted with much applause and a little mirth for the player staring unwaveringly at the blank music in front of him. A perfect rendition, although Johnson himself did quip that maybe anyone in the audience could actually perform it.


(© Ken Drew)
Moving on to a significantly major piece,  Sonatas and Interludes for Prepared Piano, was for me a stunning revelation of a scored piece played on a prepared piano, rather than improvised. Written in New York between 1946-48 (some 20+ years before the availability of synthesisers) to create a percussion ensemble for a dance group. The piano preparation takes around 2 hours, and follows meticulous instructions and measurements as to where the items of rubber, felt, screws and bolts are to be placed.  Their absolute position is determined by ear to ensure the tonalities are ‘in tune’ across the prepared range, producing a similar sound to a Gamelan orchestra. 


(© Ken Drew)
And so the main piece, Sonatas and Interludes for Prepared Piano (selection), which lasted some 45 minutes, was performed as meticulously as the preparation. Johnson is an accomplished musician, and read the complex-looking score perfectly. For the first few minutes the appearance of gamelan drums emerging from the upper keyboard register (and some from lower down) seemed startling but quickly the sounds settled as intended – an orchestral piece with polyphony in its sonic ranges and in its rhythms too.  Overall this was absolutely thrilling to see and hear this work performed.  Bravo! to Johnson, and to the organisers for bringing him to Newcastle to perform.

After the performance Johnson invited interested members of the audience to look at (but not to touch!)  the modifications within and across the piano strings, and to ask any questions.  There were many! Ken Drew

 

This concert was presented by Newcastle Festival of Jazz and Improvised Music in association with Jazz at the Literary and Philosophical Society and Jazz North East. 

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