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| (© Ken Drew) |
What a magnificent way to end a magnificent festival. The final set of the final session was an absolute barnstormer. Shifa completed the festival in some style producing a joyous set of improvised jazz . The trio employed no electronics which after a week of multiple technological odysseys was a somewhat welcome relief (I’m hoping the cost of electricity will have risen so far by next year's festival that we will be able to enjoy more gigs where the soldering iron is not king).
This was the third performance for Pat Thomas of the festival (the others being Black Top and Anthropology) and I really thought that in this setting he was really able to shine. Mark Sanders is a frequent visitor to Tyneside and as ever was tremendous. I am not that familiar with Rachel Musson so Sunday night proved to be a revelation - her playing was quite brilliant. The whole set was exciting , exhilarating and explosive. The only note I made during the final number was ‘Wow’. As the audience filed out uplifted and fulfilled it was almost possible to forgot for just a few moments the troubled times we find ourselves in – roll on the 2023 festival.
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| (© Ken Drew) |
Earlier in the evening there a very ambient set from Bex Burch and Leafcutter John. Bex Burch uses a range of African percussive instruments whilst Leafcutter uses the most modern of electronics. Somehow this juxtaposition of the ancient and space merge to create some amazing effects. In one section I was able to conjure up the image of ships passing each other in a sea surrounded by fog.
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| (© Ken Drew) |
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