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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Thu 10: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.CANCELLED!
Thu 10: Magpies of Swing @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. A Globe fundraiser (all proceeds to the venue).
Thu 10: Exhaust: Camila Nebbia/Kit Downes/Andrew Lisle @ Jesmond URC, Newcastle. 8:00pm (7:30pm doors). £13.20., £11.00. JNE.
Thu 10: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guests Ray Dales & Jackie Summers.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, July 25, 2021

The King Bees @ The Globe's Summer Festival - July 24

Michael Littlefield (guitar, vocals); Scott Taylor (harmonica, vocals); Dominic Hornsby (piano, vocals); Simon Hedley (double bass); Giles Holt (drums)

The Globe's Summer Festival was in full swing with the Sour Mash Trio approaching the end of their late afternoon set playing to an appreciative, largely standing, audience. Wrist bands issued at the door, ground floor and first floor bars open, yes, we were in festival mode. The 'new normal' is weird...punters standing at the bar. It'll never catch on! We were on Railway Street in Newcastle to hear some electric, electrifying blues. If anyone thinks 1950s South Side Chicago blues is a thing of the past, think again. 

The King Bees were to close the evening's entertainment, it had been some time since the full band last took to a stage. Here at the Jazz Co-op's HQ the five piece outfit fronted by Michael Littlefield and Scott Taylor hit the ground running with Little Walter's Duke. It's moments like this that we've missed: an 'authentic' Chicago blues band, superb frontline vocals, stinging blues guitar, astounding blues harp and an ace piano, bass and drums rhythm section. 

I Don't Know (Taylor with lockdown-acquired ponytail, blowing harp with killer vocals), Walking by Myself (Littlefield the living embodiment of the Chicago greats), Jimmy Rogers' If it Ain't Me, this was the kind of gig you didn't want to end. The band's remarkably authentic sound isn't solely down to the front two, far from it. Dom Hornsby rattles the 88s as if in a juke joint, just like Otis Spann, string bass man Simon Hedley, studiously phlegmatic, towers above the fray, drummer Giles Holt a strict adherent of the style.

Hornsby's vocal on Otis Spann's I'm in Love with You Baby matched those of Littlefield and Taylor. Memphis Slim, Louis Jordan (Caldonia!), pure Muddy Waters on Got My Mojo Working, we were at fever pitch. The Globe hollered for more, King Bees are the band to hear. And, they're making up for lost time, catch them on Friday 6 August, upstairs at Prohibition Bar.        

King Bees should/must record an album, preferably 'live', in concert. CD, vinyl, whatever the format, it would garner rave reviews, receive radio airplay either side of the Atlantic and top the blues charts. A crowdfunder would do it!
Russell 

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