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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17680 (and counting) posts since we started blogging 17 years ago. 23 of them this year alone and, so far, 23 this month (Jan. 9).

From This Moment On ...

January 2025

Tue 14: Zoë Gilby Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session. TBC.

Thu 16: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, May 05, 2021

Album review: Tom Ollendorff – A Song for You

Tom Ollendorff (guitar); Conor Chaplin (bass); Marc Michele(drums)

A tenner says I can get through this review without using the word Metheny or any related adjectives.

This is the first work I’d heard by Tom Ollendorff, though Conor Chaplin is known as a character in the Laura Jurd Universe and has visited the north east as part of a number of bands over the years.

This album is one of two halves. It opens well with the title song which is a showcase for each musician to show their chops. After a rippling solo Ollendorff comps behind Chaplin’s bass, with Michele’s drums skittering and splashing cymbals in support. The problem then is that neither Spring or Not In These Days generate much of interest and Etude 1 feels like an intellectual exercise.

At this point I was starting to consider the eternal dichotomy between art and craft as this felt like a well made but emotionally dry album. However, the next track, XY, just has more snap that anything that’s gone before. The bass is pushing and pulsing as if impatient at the plodding of the previous tracks and the others feed off the energy generated. 

The sole cover, Autumn in New York stands out as a stronger melody than the Ollendorff compositions. It’s a delicate thing, with rising and falling bass figures and soft drums behind Ollendorff’s most romantic playing on the album. It’s wistful and yearning and you can almost see the leaves turning. Aare has some of the urgency of XY and again the bass is in the driver’s seat, though Michel’s drum fills are more prominent and he solos on this track and also enjoys a few call and response exchanges with the guitarist. This energy doesn’t persist into Etude 3 which could be a lullaby. The closer These Days is an ethereal fluid weightless piece of magic from a fantasy film.

To maintain the standard of the second half of this album, Ollendorff clearly needs more of his own XY Factor. (And no mention of Pat Metheny. Someone owes me a tenner.)

A Song for You is released on May 7 and is available from Fresh Sound Records or through the usual outlets.

Dave Sayer

A Song for You; Spring; Etude 1; Not in These Days; XY; Autumn in New York; Aare; Etude 3; These Days.

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