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Bebop Spoken There

Julian Lage: "Charlie Christian's the greatest ever, in my opinion." - (DownBeat, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15103 (and counting) posts since we started blogging 15 years ago. 122 of them this year alone and, so far, 20 this month (Feb. 6).

From This Moment On ...

February

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guest band: Just Friends: Ian Bosworth (guitar); Richie Emmerson (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com.
First gig of four (1/4). The Slowlights feat. YVA. SOLD OUT!
Sat 11: New Century Ragtime Orchestra @ King's Hall, Newcastle University. 7:00pm. £15.00. on the door.
Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Second gig of four (2/4). The Slowlights feat. YVA. SOLD OUT!
Sat 11: Vermont Big Band & the Coast Connection @ The Seahorse, Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet), raffle. SOLD OUT!
Sat 11: The Rebelators @ Prohibition Bar, Newcastle. 8:00pm.

Sun 12: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. LAST SESSION!
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com. Third gig of four (3/4). The Slowlights feat. YVA. SOLD OUT!
Sun 12: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 12: Jive Aces @ Queen's Hall, Hexham. 7:30pm.
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Fourth gig of four (4/4). The Slowlights feat. YVA.
Sun 12: Sylvain Darrifourcq-Manuel Hermia-Valentin Ceccaldi @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 13: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 13: Central Bar Quintet @ Central Bar, Gateshead. 7:30pm. £5.00. First set: The Central Bar Quintet plays Horace Silver's The Tokyo Blues (featuring Pete Tanton). Second set: standards & more (no jam session).

Tue 14: ???

Tuesday, May 25, 2021

Album review: Ben Crosland Quintet – Solway Stories

Ben Crosland (bass); Steve Waterman  (trumpet/flugel); Chris Allard (guitar); Steve Lodder (piano/keys); Dylan Howe (drums)

I’ve seen Ben Crosland perform in various groups over the years and would sum him up as ‘genial’ maybe human. He played with Waterman and Lodder in the trio Threeway, as the lynchpin of John Etheridge’s Trio North, leading an Octet for his Echoes in the Valley project from 2000 and many others. He fits this activity around the running of his Jazzcat record label and a career as a barrister in the courts of West Yorkshire. That’s barrister not barista - you’d want Crosland in your corner if you were trying to get off a life sentence.

Whilst the rest of the band may lack the wig and the gown they are, officially, no slouches. Waterman has played with most people of his generation on the UK scene; Lodder is best known in this house as an early, long-time associate of Andy Sheppard and Howe has led his own Blakey/Blue Note type jazz quartet and is a member of the Ian Dury-less Blockheads. Only guitarist Chris Allard is new to me.

As with Echoes in the Valley, the inspiration for Solway Stories comes from the scenery and the people of the North of England. This is a celebration of the wide open spaces, it is optimistic, warm, broad-brush stroke music of the freedom to be found away from the claustrophobia of the cities. It is cool music, but not the cool of nodding heads in smoky night clubs, rather, it is cool in a way that allows the tunes to develop. Not for Crosland the frantic intensity or showmanship of trying to squeeze in as many notes as possible into every tune. Much of it is music of memory and quiet contemplation but there are some nods to New Orleans in A Lil’ Sark Funk where Allard’s guitar hands over to a rolling piano solo from Lodder who then hands the baton onto Waterman for a trumpet solo, all in front of a high stepping back beat from Dylan Howe.

Powfoot takes us into Stevie Wonder playing with the Average White Band and Carsethorn could be a piece of 70s’ soul enhanced by psychedelic swirls from the organ.

The titles come from places that Crosland visited on a journey into South West Scotland with his mother, who died last year. The tunes are mainly named after villages in the Dumfries area (Powfoot; Beeswing; Islesteps; Carsethorn) or other places of local interest (Auchenreoch Loch).

I Do is a nod to the blacksmiths of Gretna Green. Despite the fact that the area may appear to be natural and unspoiled, the sleeve notes tell us that Powfoot was the site of a 9 mile long munitions factory during the First World War wherein they mixed gun cotton and nitro-glycerine to make cordite for shell propellant. Cordite was dubbed The Devil’s Porridge another of the song titles.  

My only reservation is to do with the production. There could be more separation, not least to help Crosland’s bass stand out more. He is a tremendous player, but his contribution is buried for much of the time. That gripe aside, it is a lovely album.

Solway Stories is released on May 28 and is available through the usual outlets. For more information about Ben Crosland visit Home (jazz-cat.com) Dave Sayer

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