Total Pageviews

Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Sat 03: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am - 5:00pm. £95.00. Two-day workshop with Liane Carroll. Info at: www.jazz.coop.
Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning - Rhythm, Timbre, Dynamics. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Tuesday, May 18, 2021

Just thinkin' ...

This quote from KT Reeder is interesting, controversial and must surely provoke some further comment"The idea of teaching somebody to improvise is just bloody ridiculous. In this country jazz has been appropriated by universities. They have jazz courses, and they churn out people who have a degree in jazz, which makes me feel very nauseous, the idea that you can be trained to do jazz." - (Giant Steps by David Burke).

This is something I, as one who struggled through various  teach yourself jazz tutors as well as gleaning 'knowledge' from semi-pros, regarded this as the way to go. I mean, did Louis or Bird go to Berklee or Julliard? No, they went to the School of Hard Knocks before graduating to the University of Life.

So it's easy to sentimentalise and typecast today's young Turks as conveyor belt musicians who haven't the, shall we say, soul, the individuality that made  the greats great?

Worth pondering upon.

However, had not jazz achieved the belated 'respectability' of acceptance by the various educational establishments, which direction would future aspiring musicians have turned to? At comps it would have been Bach, Beethoven & Brahms - Bix, Bird and Brecker, who?

The media surrounded them with Beatles, Beach Boys and Beastie Boys and even Ronnie Scott's solo on Lady Madonna probably didn't put a tenor sax, instead of a guitar, on their letter to Santa.

So, the fact that colleges, worldwide, sprung up introducing jazz into the curriculum is to be praised with the end result that we now have a generation of young musicians who, technically speaking, could carve the old masters from here to breakfast time except for the fact that the new kid on the block whose solo incorporated more demi-semi-quavers in 33.5 bars than, say, Johnny Hodges did in his lifetime, will be forgotten tomorrow whereas Hodges, and those like him who used their instrument in the way a painter used his brush created something that will last as long as time itself. Lance

2 comments :

Steve Andrews said...

I'm a bit hesitant to comment on this, Lance, because I know many younger musicians (who isn't?) who have come through the "college" system who are excellent jazz improvisers. I have also heard many who think that running arpeggios at speed regardless of the chord sequence is a substitute for melody and creativity. Colleges can certainly teach musicianship, but can they teach musicality? As to whether they can teach how to improvise jazz, I believe that, unless you were lucky enough to have sprung forth from the womb a fully-formed jazz genius, like Louis, Bix, Hawk, Pres, Bird, Diz and the other acknowledged greats, this can only be learned by dedicated listening to great musicians, particularly on record, where we have the gift of being able to study and learn from their choruses again and again. And then, get out there and Play, Play, Play! Think about what you played, play some more and refine it over years until you can produce a solo that you are, if not proud of, then at least not ashamed of! And if you have never played a solo you were ashamed of, then put the horn away and take up landscape gardening!

Gordon Solomon said...

There are arguments on both sides I suppose. To me there are only two features of a really good improvised solo. Technique and Taste. I have listened many times to well schooled musicians play with tremendous technique but with absolutely no taste. Conversely there are many examples of much simpler solos beautifully constructed and performed. I suppose Coleman Hawkins' Body and Soul is a classic example.

Blog Archive