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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17985(and counting) posts since we started blogging 17 years ago. 306 of them this year alone and, so far, 62 this month (April 26).

From This Moment On ...

April 2025.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

MAY 2025

Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Member’s Contribution.
Thu 01: Alabaster de Plume @ Gosforth Civic Theatre, Newcastle. 7:30pm.
Thu 01: Living in Shadows + OUTRI @ The Globe, Newcastle. 8:00pm.
Thu 01: The Shayo Experiment @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Shayo Oshodi & Liam Oliver.
Thu 01: Tees Hot Club @ Dorman’s, Middlesbrough. 8:30pm. Free.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Anna Reay & Deon Krishnan @ STACK, Seaburn. 4:30-6:15pm. Free.
Fri 02: Nauta @ Central Bar, Gateshead. 7:00pm. £7.50. A ‘Nauta’s House’ gig featuring Nauta & guests Shayo Oshodi & David Gray.
Fri 02: Spilt Milk @ St James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 02: Dom Pipkin @ Cluny 2, Newcastle. 7:30pm (doors). Solo piano.
Fri 02: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm. £12.00. + bf.

Sat 03: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Summer Samba Enrol at: learning@jazz.coop.
Sat 03: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 03: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 03: Postmodern Jukebox @ The Glasshouse, Gateshead. 7:30pm.
Sat 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Ray Stubbs R&B All Stars @ The Black Bull, Blaydon. 8:30pm. Free.

Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 04: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: Spilt Milk @ St James’ STACK, Newcastle. 3:00-5:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 04: Rivkala @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 04: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 28, 2021

Press release: The All Party Parliamentary Jazz Appreciation Group Announces A Review Of Jazz In England

The All Party Parliamentary Jazz Appreciation Group Announces A Review Of Jazz In England

Following an enforced delay due to the global pandemic and a year of unprecedented change, challenges, and specific hardships for working musicians, the All Party Jazz Appreciation Group (APPJAG) has commissioned a Review of Jazz in England.  The Review will be undertaken by APPJAG’s Secretary, Chris Hodgkins, and an expert advisory panel, chaired by musician and jazz educator Dr Kathy Dyson.

John Spellar MP and Lord Mann (Co-Chairs of APPJAG), and Alison Thewless MP and Chi Onwurah MP (Co-Vice Chairs of APPJAG), detail some of the review's objectives:

 

“It has been a tough year for jazz with many musicians and promoters falling through the cracks in terms of funding. APPJAG continues to put the case to the Department for Culture, Digital, Media and Sport to rectify this egregious state of affairs. Underpinning the review is the fact that jazz in England (and indeed across the UK) is “rich beyond the dreams of avarice” in terms of human resources: jazz musicians, composers, volunteer promoters, audiences, commercial promoters, educators, youth orchestras, jazz festivals, Arts Council England funded jazz National Portfolio Organisations, a growing service economy and jazz archives. But there are some vital issues that need addressing urgently; increased investment, frictionless touring in the EU, financial support for musicians and promoters who fell through the cracks in 2020/21 and a fair deal for musicians getting their music streamed. The objective of the Review of Jazz in England is to inform Government, funding bodies, potential sponsors, Parliament and to assist the jazz constituency in shaping an action plan for jazz in England.”

 

And Dr Kathy Dyson, Chair of the Advisory Panel of the Review of Jazz in England, comments:

 

“As a jazz musician and educator I am well aware of how hard a year it has been for jazz musicians, promoters, studios, technical staff, media and the jazz constituency at large. Realistically, recovery will be slow on the domestic scene and our touring capabilities will be hampered both by Brexit and the myriad quarantine and travel issues globally. This current situation is exacerbated by ten years of funding cuts which have dramatically affected the arts and now the Government is planning to impose a disastrous 50% funding cut to arts subjects including music at Higher Education level in England. The pandemic has thrown petrol on flames and highlighted issues of insecurity, low wages and exploitation of musicians by the music streaming companies. This Review of Jazz in England is a genuine and concerted attempt by people who care deeply about the music, musicians and all  involved in promoting it, to find out how the jazz community has fared during the pandemic, what the main issues are that we face now; how these can best be addressed during the post Covid period with the aim of an  action plan for the  jazz community in England.” 

 

Teesside University Business School is partnering the Review of Jazz in England, and Associate Dean (Marketing & Recruitment) Dr Noel Dennis, writes:

 

“Teesside University Business School is proud to support the Review of Jazz in England. This is a very timely project that will provide the analysis to allow for fresh strategic thinking to ensure a sustainable future for this wonderful music. I am delighted our students are being afforded the opportunity to contribute to this exciting project and, in so doing, develop their professional skills.” 

 

Chris Hodgkins summarises the review's objectives:

This review concerns the operation, management and business of jazz, and its purposes are twofold:

One, to help  the jazz constituency in England to understand and use its resources in the most efficient and effective ways -  and two, to make the case for improving the support, sustainability and promotion of jazz in England.

The review will be undertaken in two phases. The first, entitled "Where are we now?", examines the present state of jazz in England, drawing on revealing data from five key surveys aimed at the jazz constituency. The second asks the question: "Where do we want to be?", and develops a succinct action plan for jazz in England that will go out for consultation to all interested parties, and the jazz constituency at large.'

Full details and briefing papers - 'Cold Comfort and Home Truths' – Terms of reference, the composition of the Advisory Panel, and five questionnaires dealing with promoters and venues, musicians, jazz festivals, audiences plus individuals and organisations are available at: Review of Jazz in England  The closing date for the questionnaires is midnight, Monday 28th June 2021.

2 comments :

Anonymous said...

I confidently predict that this report will conclude two things:
1. That Jazz should get more funding from Arts Council England - it will include lots of statistical evidence to prove why this is true. ACE will respond by saying how they give lots of money to jazz!
2. That there should be a National organisation for jazz (despite the last attempt at this having been a miserable failure)

Those have been the conclusions of the previous reports from the same person, and I doubt this will be any different despite the stellar advisory group

Chris Hodgkins said...

This is disappointing to read especially as the person concerned hides behind anonymity.

I suggest the person looks at the terms of reference. The end result of this review is an action plan that will be placed out for consultation to the jazz community at large for them to debate, accept or revise so that they own it.

I also expect that the national organisation you are referring to is Jazz Services. Jazz Services did a lot of good work and you can see annual reports on my website. Like a lot of organisations it ran into problems. But I would not call it a miserable failure its record of good work is there.

Instead of sniping from the sidelines why don't you get behind the review and help shape the action plan.

Chris Hodgkins

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