Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Sun 22: Lewis Watson Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. ‘Celebrating Coltrane’.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Groovetrain @ Pilgrim, Newcastle. 4:00pm. £18.00.
Sun 22: Red Kites Jazz @ Beat ‘n’ Track Café, High Spen. 5:00pm.
Sun 22: Knats @ The Waiting Room, Eaglescliffe. 7:00pm. SOLD OUT!
Sun 22: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 22: Smiodair @ The Globe, Newcastle. 8:00pm. JNE.

Tuesday, November 03, 2020

SaveLive - US live music venues to be acquired by a chain?

It seems that 90% of US music venues are set to close, due to the lockdown. In response, someone has raised money to buy up the failing concerns, creating an organisation called SaveLive, which will take a 51% stake in each.

This must be a big gamble, for any investor.

However, what seems likely, in practice, is common ownership may mean the venues all become part of a national chain. This may create a national US circuit for music acts - effectively, one chain controlling nearly all live music. On the one hand, this could mean some acts find it much easier to get a series of gigs; on the other hand, music could become a lot more controlled, restricted, filtered, commodified, making it much harder for anything new and different to be heard. Musicians may also have to deal with a monopoly. (Anyone remember TOBA? Pre-WWII, it forced down black musicians' wages - Tough On Black Acts.)

The lockdown seems likely to change the future of music and there are a few different ways this could go.

In the US, it appears a large capital investor has decided this is a good moment to launch a long-term project in live music, and has backed a particular individual to organise the investment/ acquisition for them.

However, Britain might not even be that lucky - instead, we might simply see most independent music venues close forever.

The US example shows that an initiative by one or two individuals could be decisive to what happens.

Nathan Allonby

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