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Bebop Spoken There

Belá Fleck: "...he [Chick Corea] brought out the best in musicians. Not only would you get to play with him, but you'd get to play with the best version of yourself." - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Wednesday, November 25, 2020

CD Review: Everybody Knows – The Brianna Thomas Band

Brianna Thomas (voice); Connun Pappas (piano, Rhodes); Ryan Berg (bass); Kyle Poole (drums); Marvin Sewell (guitars); Fernando Saci (percussion)

Here we have yet another skilled woman singer with a stellar band, giving us nine standard jazz and contemporary songs and two from Thomas herself. The album is enjoyable generally but I found some of the interpretations too dramatic for my taste. Other listeners may of course relish a bit of drama. I liked best the blues numbers, a wonderfully raunchy My Stove's In Good Condition, lively guitar and piano to words such as 'If you don't like my peaches, why do you shake my tree?' (Ahem!) Then there is Ellington's Ain't Got Nothing But The Blues, sung slowly to guitar and piano.

The originals are How Much Forgiveness, a heartfelt piano-led song ending in a passionate crescendo of wordless repeated riffs; and I Belong To You, a sad love song to a tangoish beat which was one of the too dramatic offerings although it became more quiet at the end. Mississippi Goddamn (Nina Simone) is well performed, a protest song about equality, sung with genuine passion and  enhanced by a chorus of backing singers.

I was intrigued to find that there was little information supplied about the singer except to say that  this was Ms Thomas's sophomore release. However the CD packet gave extensive biographical details about these instrumentalists, who hail mostly from the USA.  Pappas also plays funk, Sewell learned to play informally 'on the streets'; Saci, from Brazil, is a world music percussionist; Berg hails from a musical family and Poole drums in all kinds of styles, including punk and hip hop.

A band of very diverse background.

The CD is available from the usual suspects.

Ann Alex 

Since I Fell For You; How Much Forgiveness; It's A Sin to Tell A Lie; My Foolish Heart; Don't Let The Sun Catch You Crying; I Belong To You; It Had To Be You; My Stove's In Good Condition; Ain't Got Nothing But The Blues; Mississippi Goddamn; The More I See You.

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