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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Mississippi MacDonald @ Claypath Deli, Durham. 7:00pm. Blues.
Sat 22: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Laundrette, Durham. 7:45pm. £16.50. SOLD OUT!
Sat 22: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm.
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, November 19, 2020

Album review: Jim Rattigan - When

Jim Rattigan (French horn); Nicki Iles (piano); Michael Janisch (bass) James Maddren (drums) + The Tear Quartet - Julian Tear, Alison Gordon (violins); Nicholas Barr (viola); Nicholas Cooper (cello).

The French horn, despite its lovely dry sound has rarely been a jazz voice since the days of John Graas out on the West Coast back in the 1950s. Possibly it's because of the instrument's lack of tonal variants compared to other brass instruments - French horn players please put me right if I'm wrong - its forté seems to be purity of sound of which Rattigan demonstrates most admirably.

Like almost all French horn players he has a classical background which hasn't done him any harm since he succumbed to the call of jazz. His sound is pure and his solos are as lyrical as any valve trombonists which, I suppose is the nearest area for comparision. With this album he decided to combine his two passions using the string quartet as a link.

The string arrangements are beautifully voiced reminiscent of some of the writing behind Sinatra in his Columbia days. Having Nikki Iles on piano is an added bonus, her delicate touch ensures the continuity of the ambiance that exudes throughout - I fall in love with her every time I hear her play!

I don't fall in love with Michael Janisch although I do like him and I love his playing it is just so right for this music. On the beat or laid back you get the impression that no other note or run would do, his solos, an extension of the string quartet. James Maddren is content to stay out of sight doing just enough to keep the ship on a steady course.

Rattigan composed and arranged all of the music on the album 5 years ago and then allowed them to gather dust. Paradoxically, the title When (no question mark!) would probably be even more appropriate now if it had a question mark!

It's not a party record - well it is if there are only two people at the party in which case it's up there with the Wee Small Hours albums! If jazz, like classical music, ever has a Romantic Era then Rattigan will be up there alongside Freddy Choppin, as I remember an AFN disc jockey once describing a jazzed up version of a piece by Chopin! 

Not for the socially distanced...

Lance

YouTube.

Available on Dec. 4 on Three Worlds Records TWR005.

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