Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, November 23, 2020

Album review: Wolfgang Lackerschmid/Chet Baker - Quintet Sessions 1979.

Chet Baker (trumpet/vocal); Wolfgang Lackerschmid (vibes); Larry Coryell (guitar); Buster Williams (bass); Tony Williams (drums).

At this stage in his career Baker was probably known for all the wrong reasons rather than for his lyrical trumpet playing of some years previous. In 1979, when this album was recorded, that lyricism was still there albeit more sparse in its format. It's as if every note was carefully thought out a few bars ahead. This is minimalism at its extreme and, let me add, none the worse for that. This is what jazz is all about. Play as few or as many notes as you like as long as they're the right notes for the moment.

Given Baker's checkered lifestyle which has been well covered enough to avoid repetition it's surprising he plays as well as he does.

Coryell, and Williams Buster and Tony, at this point in time were rated among the top players on their respective instruments and, in jazz terms probably light years ahead of Baker stylistically with Lackerschmid somewhere in between.

The German is an excellent vibes player little known outside of Europe and who probably wouldn't have been operating at this level had he not also set up the recording.

All but Chet contributed an original composition plus Jimmy Van Heusen's Here's That Rainy Day. This latter track is like the Baker of old and as fine a ballad reading as by any trumpet player past and present. There's only one vocal on the album and the smart money would have been on this being the one.

Nope! Chet's only vocal is on Lackerschmid' s Balzwaltz, a waltz as the title implies with Chet singing a wordless line.

Both of the Williams deserve a special mention. Buster's bass playing, is as superb as it's essential and Tony, after playing with Miles, McLaughlin and many fusion players was at the top of the contemporary percussion tree but this didn't show in his sympathetic work behind Chet although maybe he helped add an extra spark to his playing. Likewise Coryell, he did the business without an array of pedals and what have you whilst, had Lackerschmid been an American he'd have been a DownBeat contender.

Lance

Wolfgang Lackerschmid/Chet Baker - Quintet Sessions 1979 is a follow up to Wolfgang Lackerschmid/Chet Baker - Ballads For Two released earlier this year featuring Wolfgang and Chet in a duo setting and reviewed on BSH here.

Both albums are available on Dot Time Records.

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