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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17680 (and counting) posts since we started blogging 17 years ago. 23 of them this year alone and, so far, 23 this month (Jan. 9).

From This Moment On ...

January 2025

Sat 11: Jason Isaacs @ St James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 11: Under the Wellie @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 12: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 12: King Bees @ The Tyne Bar, Newcastle. 4:00pm. Free. Superb Chicago blues band.
Sun 12: Dave Bottomley @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.
Sun 12: Jack Pearce Quintet @ The Globe, Newcastle. 8:00pm.

Mon 13: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 13: Raymond MacDonald & Andy Champion @ The Globe, Newcastle. 8:00pm. £10.00.

Tue 14: Zoë Gilby Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session. TBC.

Thu 16: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio @ The Pele, Corbridge. 7:00pm. £TBC.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 03, 2020

CD Review: Wolfgang Muthspiel - Angular Blues


Wolfgang Muthspiel (guitar); Scott Colley (bass); Brian Blade (drums)
(Review by JC)

When the recent pandemic lock down left me "all dressed up but nowhere to go" I thought I would offer to review a few CDs for Bebop Spoken Here to bring me up to speed with the latest in the jazz world, as well as doing something (hopefully) useful with my time. And judging by the number of CDs I received, it seems that the BSH editor is not expecting this emergency to be over any time soon.


As a starting point I began to flick through the publicity blurbs and inserts to get a feel for what was in the pile of albums but quickly discovered that this was not necessarily a good idea. Unsurprisingly it turns out that everyone is 'distinctive' and is influenced by an A to Zee of artists in their field and, at the same time, they add a 'new and unique' voice/sound. There was also quite a tendency, at least in the selection I have, towards creating the kind of 'concept' albums that were last seen coming out on the LPs of 1970s prog rockers. In this case the musicians/singers are inspired by such things as historical events, the weather, architecture and other people's earlier recordings.

Now these comments are not meant to be a criticism of the musicians and groups as, of course, all artists have an artistic vision that they want to express and those buying the CDs want to know about it. It is more an observation on the effect of reading a number of publicity sheets one after the other.

Anyway, what joy! I came across this CD which was the only one not to have a publicity sheet with it and had a cover which is almost completely black, except for a couple of thin white slashes across it with the title and band members' names in very small print and those magic letters ECM at the bottom. The insert is mostly blank pages with just one photo of the band and what felt by this time like a wonderfully homeopathic minimum of written information.

So nothing to get in the way of the music and what a beautiful album this is. The leader of the trio, Wolfgang Muthspiel, is a new name to me but what a very fine guitarist and composer and, as a fan of both acoustic and electric guitar playing, it is a real treat that he plays both on the album. Seven of the nine pieces are his compositions with the other two being standards, Everything I Love and I'll Remember April. The bass player Scott Colley is another new name to me but that is clearly because I haven't been paying attention as a little research revealed he is an A-lister who has played with everybody and led his own groups. However the fabulous drummer, Brian Blade, I am familiar with, particularly from his work with Wayne Shorter and Joni Mitchell.

Muthspiel plays acoustic guitar on the first three pieces and the opening track Wondering showcases the rhythmic musicality of Colley's bass playing in tandem with Muthspiel's lyrical guitar work. The subliminal delicacy of Blade's drumming in the background is exquisite. The title track Angular Blues starts with guitar and bass again working together but then takes on a more staccato Monkish quality which Muckspiel picks up in jagged but subtle playing. A drum solo by Blade closes off an intriguing piece. The third acoustic track Huttengriffe has a peaceful and quiet hymn-like quality.

The first track featuring Muthspiel on electric guitar is the gently swinging Camino followed by the fast bebop-orientated Ride which the trio clearly enjoy playing. There are two pieces that hint at some classical leanings: one called Kanon in 6/8 where initially the bass follows the guitar's melody line and then moves seamlessly into the three players improvising together. The second one is a guitar-only track Solo Kanon in 5/4 where Muthspiel uses a little electronic help to play the follow-up lines and crafts a very engaging piece of music.

As one would expect with such fine musicians the two standards are played delightfully with the three instruments weaving intuitively together as they have done throughout. Altogether a very finely composed and played recording.
JC

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