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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

MARCH 2025

Sat 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00. Day 2/3.
Sat 01: TJ Johnson Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Get your funk on! Enrol at: learning@jazz.coop.
Sat 01: Shunyata Improvisation Group @ The Watch House, Cullercoats. 2:00-3:30pm. Free.
Sat 01: Ray Stubbs R&B All Stars @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 01: Lapwing Jazz Trio @ Three Sheets to the Wind, Alnwick. 5:15pm or 5:45pm (times tbc). Part of the Alnwick Story Festival's music fringe programme: Free.
Sat 01: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Blues band.
Sat 01: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 01: Joseph O’Brien: The Ultimate Tribute to Frank Sinatra @ Fire Station, Sunderland. 7:30pm. O’Brien & seven piece band (inc. Wendy Kirkland, Jim Corry & Pat Sprakes).
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Jack & Jay’s Vintage Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 02: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £10.00. Day 3/3.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Nauta @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm. Free (donations).
Sun 02: Side Café Orkestar @ Café Under the Spire, Derwentwater Road, Gateshead. 2:00pm. Free.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ The White Room, Stanley. 6:30pm.
Sun 02: Bella by Barlight @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 02: Ali Watson Quartet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 03, 2020

CD Review: Wolfgang Muthspiel - Angular Blues


Wolfgang Muthspiel (guitar); Scott Colley (bass); Brian Blade (drums)
(Review by JC)

When the recent pandemic lock down left me "all dressed up but nowhere to go" I thought I would offer to review a few CDs for Bebop Spoken Here to bring me up to speed with the latest in the jazz world, as well as doing something (hopefully) useful with my time. And judging by the number of CDs I received, it seems that the BSH editor is not expecting this emergency to be over any time soon.


As a starting point I began to flick through the publicity blurbs and inserts to get a feel for what was in the pile of albums but quickly discovered that this was not necessarily a good idea. Unsurprisingly it turns out that everyone is 'distinctive' and is influenced by an A to Zee of artists in their field and, at the same time, they add a 'new and unique' voice/sound. There was also quite a tendency, at least in the selection I have, towards creating the kind of 'concept' albums that were last seen coming out on the LPs of 1970s prog rockers. In this case the musicians/singers are inspired by such things as historical events, the weather, architecture and other people's earlier recordings.

Now these comments are not meant to be a criticism of the musicians and groups as, of course, all artists have an artistic vision that they want to express and those buying the CDs want to know about it. It is more an observation on the effect of reading a number of publicity sheets one after the other.

Anyway, what joy! I came across this CD which was the only one not to have a publicity sheet with it and had a cover which is almost completely black, except for a couple of thin white slashes across it with the title and band members' names in very small print and those magic letters ECM at the bottom. The insert is mostly blank pages with just one photo of the band and what felt by this time like a wonderfully homeopathic minimum of written information.

So nothing to get in the way of the music and what a beautiful album this is. The leader of the trio, Wolfgang Muthspiel, is a new name to me but what a very fine guitarist and composer and, as a fan of both acoustic and electric guitar playing, it is a real treat that he plays both on the album. Seven of the nine pieces are his compositions with the other two being standards, Everything I Love and I'll Remember April. The bass player Scott Colley is another new name to me but that is clearly because I haven't been paying attention as a little research revealed he is an A-lister who has played with everybody and led his own groups. However the fabulous drummer, Brian Blade, I am familiar with, particularly from his work with Wayne Shorter and Joni Mitchell.

Muthspiel plays acoustic guitar on the first three pieces and the opening track Wondering showcases the rhythmic musicality of Colley's bass playing in tandem with Muthspiel's lyrical guitar work. The subliminal delicacy of Blade's drumming in the background is exquisite. The title track Angular Blues starts with guitar and bass again working together but then takes on a more staccato Monkish quality which Muckspiel picks up in jagged but subtle playing. A drum solo by Blade closes off an intriguing piece. The third acoustic track Huttengriffe has a peaceful and quiet hymn-like quality.

The first track featuring Muthspiel on electric guitar is the gently swinging Camino followed by the fast bebop-orientated Ride which the trio clearly enjoy playing. There are two pieces that hint at some classical leanings: one called Kanon in 6/8 where initially the bass follows the guitar's melody line and then moves seamlessly into the three players improvising together. The second one is a guitar-only track Solo Kanon in 5/4 where Muthspiel uses a little electronic help to play the follow-up lines and crafts a very engaging piece of music.

As one would expect with such fine musicians the two standards are played delightfully with the three instruments weaving intuitively together as they have done throughout. Altogether a very finely composed and played recording.
JC

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