Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18947 (and counting) posts since we started blogging 18 years ago. 811 of them this year alone and, so far this month (Sept. 28.) 90.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Wed 30: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ The Traveller's Rest, Cockerton, Darlington. 7:00pm. Free. For one week only the rehearsal night will be at the Traveller's Rest (open to the public).
Wed 30: Tenderly: The Life & Times of Nat ‘King’ Cole @ The Hearth, Horsley. 7:30pm. £15.00., £12.00. (Early Bird advance ticket), £10.00. Off-Broadway production feat. Duane Forrest.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 30: New Ways of Moving in the Counterworlds + Juliana Day & Manon McCoy + Helen Anahita Wilson @ The Glasshouse, Gateshead. 8:00pm. A BBC Introducing-Newcastle Festival of Jazz & Improvised Music event.

October

Thu 01: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 01: Rivkala @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 01: Hot Club de Heaton @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 01: The Scenic Route @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 02: Alison Gill + Markrokosmos @ The Lit & Phil, Newcastle. 1:00pm. Newcastle Festival of Jazz & Improvised Music (NFOJAIM).
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Gilby & Hunter + Andy Champion @ The Lit & Phil, Newcastle. 6:00pm. NFOJAIM.
Fri 02: Abbie Finn Quartet @ Saltburn Community Hall. 7:30pm. The Abbie Finn Trio augmented by Dean Stockdale (piano).
Fri 02: Alexia Gardner Trio @ Warkworth Memorial Hall. 7:30pm. £15.00.
Fri 02: Zoe Rahman Trio @ The Lit & Phil, Newcastle. 8:00pm. NFOJAIM. SOLD OUT!

Sat 03: New Orleans Ragtime Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club. Gavin Lee & co.
Sat 03: Anemone Quartet + Jeepe Zeeburg @ The Lit & Phil, Newcastle. 1:00pm. NFOJAIM.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Caravan. Enrol at: learning@jazz.coop.
Sat 03: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Free. Excellent blues band.
Sat 03: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.50 (inc. bf). Two sets: 7:30-8:15pm & 8:45-9:30pm. ‘Swing Band Dance Night’.
Sat 03: Olie Brice Quartet + Alexander Hawkins + Harper Trio @ The Lit & Phil, Newcastle. 7:00pm. NFOJAIM.
Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Friday, April 03, 2020

CD Review: Wolfgang Muthspiel - Angular Blues


Wolfgang Muthspiel (guitar); Scott Colley (bass); Brian Blade (drums)
(Review by JC)

When the recent pandemic lock down left me "all dressed up but nowhere to go" I thought I would offer to review a few CDs for Bebop Spoken Here to bring me up to speed with the latest in the jazz world, as well as doing something (hopefully) useful with my time. And judging by the number of CDs I received, it seems that the BSH editor is not expecting this emergency to be over any time soon.


As a starting point I began to flick through the publicity blurbs and inserts to get a feel for what was in the pile of albums but quickly discovered that this was not necessarily a good idea. Unsurprisingly it turns out that everyone is 'distinctive' and is influenced by an A to Zee of artists in their field and, at the same time, they add a 'new and unique' voice/sound. There was also quite a tendency, at least in the selection I have, towards creating the kind of 'concept' albums that were last seen coming out on the LPs of 1970s prog rockers. In this case the musicians/singers are inspired by such things as historical events, the weather, architecture and other people's earlier recordings.

Now these comments are not meant to be a criticism of the musicians and groups as, of course, all artists have an artistic vision that they want to express and those buying the CDs want to know about it. It is more an observation on the effect of reading a number of publicity sheets one after the other.

Anyway, what joy! I came across this CD which was the only one not to have a publicity sheet with it and had a cover which is almost completely black, except for a couple of thin white slashes across it with the title and band members' names in very small print and those magic letters ECM at the bottom. The insert is mostly blank pages with just one photo of the band and what felt by this time like a wonderfully homeopathic minimum of written information.

So nothing to get in the way of the music and what a beautiful album this is. The leader of the trio, Wolfgang Muthspiel, is a new name to me but what a very fine guitarist and composer and, as a fan of both acoustic and electric guitar playing, it is a real treat that he plays both on the album. Seven of the nine pieces are his compositions with the other two being standards, Everything I Love and I'll Remember April. The bass player Scott Colley is another new name to me but that is clearly because I haven't been paying attention as a little research revealed he is an A-lister who has played with everybody and led his own groups. However the fabulous drummer, Brian Blade, I am familiar with, particularly from his work with Wayne Shorter and Joni Mitchell.

Muthspiel plays acoustic guitar on the first three pieces and the opening track Wondering showcases the rhythmic musicality of Colley's bass playing in tandem with Muthspiel's lyrical guitar work. The subliminal delicacy of Blade's drumming in the background is exquisite. The title track Angular Blues starts with guitar and bass again working together but then takes on a more staccato Monkish quality which Muckspiel picks up in jagged but subtle playing. A drum solo by Blade closes off an intriguing piece. The third acoustic track Huttengriffe has a peaceful and quiet hymn-like quality.

The first track featuring Muthspiel on electric guitar is the gently swinging Camino followed by the fast bebop-orientated Ride which the trio clearly enjoy playing. There are two pieces that hint at some classical leanings: one called Kanon in 6/8 where initially the bass follows the guitar's melody line and then moves seamlessly into the three players improvising together. The second one is a guitar-only track Solo Kanon in 5/4 where Muthspiel uses a little electronic help to play the follow-up lines and crafts a very engaging piece of music.

As one would expect with such fine musicians the two standards are played delightfully with the three instruments weaving intuitively together as they have done throughout. Altogether a very finely composed and played recording.
JC

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