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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sunday, November 03, 2019

CD Review: Kyle Eastwood – Cinematic


Kyle Eastwood (bass); Andrew McCormack (piano); Quentin Collins (trumpet); Brandon Allen (tenor sax); Chris Higginbottom (drums) + Stefano di Batista  (saxes); Camille Bertault, Hugh Coltman (vocals).
(Review by Hugh C)

Kyle Eastwood (yes, cinematic relation) brings together his two great passions, cinema and music, with his new album Cinematic.  He performs with his regular bandmates and singers Camille Bertault and Hugh Coltman.  In this album both well-known and lesser known film scores are revisited and reinterpreted in a jazz style.

CD player loaded, remote cocked and ready, GO! The CD fires off with Bullitt.  Piano and trumpet open with a discordant blast, followed by a funky rendition of the familiar tune.  Short bass and drum solos punctuate the confident delivery by these capable musicians. A brief pause, the tyre smoke clears and Taxi Driver – Theme, follows on at a more leisurely pace.  Atmospheric   saxophony sets the scene followed by muted trumpet over a slow groove generated by the rhythm section.  

Les Moulins de Mon Coeur features chantoose (as they say over there) Camille Bertault with a smoky-voiced delivery of the iconic song.  The guys get a look in too, with saxophone and trumpet solos alternating with Bertault’s vocals and scat singing.  The Eiger Sanction is a high speed romp featuring piano, saxophone and trumpet driven at speed by the rhythm section.  Gran Torino, composed by father and son Eastwood, Michael Stevens and Jamie Cullum features Hugh Coltman on vocals. 

Pink Panther – Theme, beloved of amateur bands everywhere, is given a classy outing by the guys who give it their own twist.  Per le Antiche Scale  features expressive, melodic slow piano, bass and drums and at just over 3 minutes is the shortest track on the album.  Charade sets off with militaristic style drumming to be joined by saxophone and trumpet delivering the melody with chordal piano in the background. Trumpet, saxophone and bass solos follow, with subtle support from the rhythm section.  Unforgiven - Claudia’s Theme features guitar (not credited), but possibly Eastwood on upper registers of electric bass.  Collins delivers an atmospheric trumpet line over piano and bass, to finish with solo guitar.  

Skyfall brings the entire ensemble back together for a jazzy rendition of the theme - all the band members get a look in, with short solos from each in turn.  In the final minute Higginbottom is allowed to stretch out a bit on drums.  Gran Torino is a reprise without the vocals and to my mind probably the better version (not to diss the original of course!).  Eastwood takes the melody line on double bass, ably supported by unobtrusive piano and subtle brushwork on drums.  The melody is then taken by saxophone and brought to a conclusion by a saxophone and bass duet.

The potential problem with a release of this type is that it will fall between two stools, film music and jazz.  The Jazz Police will be all over this and will apprehend the “perp” for questioning.  A shame, because the musically open listener will find this a delight.  The musicianship is exemplary and the product is musically interesting, even though I did not recognise many of the tunes (I am no film buff).  The love that has been put into this project by Eastwood is palpable.

Cinematic is released on November 8 on Jazz Village and is available for pre-order from several online retailers.
Hugh C

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