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Bebop Spoken There

Roseanna Vitro: "Have you ever tried singing a bridge to a Charlie Parker song? It just looks like the craziest thing in the world to me."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13848 (and counting) posts since we started blogging 13 years ago. 67 of them this year alone and, so far, 67 this month (Jan. 20).

From This Moment On ...

January 2022

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public) .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tuesday, November 26, 2019

CD Review: Keith Jarrett – Munich 2016

Keith Jarrett   (Piano)
(Review by Chris K)

Amid the slew of releases marking the ECM label's 50th birthday, a Keith Jarrett solo concert, recorded in the label's Munich home. The piano god goes back a long way with ECM, with the solo Facing You (1971) recorded in the studio, followed by multiple incarnations in trio and quartet form as well as his trademark completely improvised solo slots on piano and organ.  It was his solo Köln Concert (1975) which opened the door to jazz for a generation of new listeners and established ECM financially, as it became the all-time best-selling solo jazz album (and all-time best-selling piano album) with over 3.5 million copies.

Jarrett is a divisive figure, famously ranting at audiences for coughing during his creative moments, while often indulging himself with (distracting and ludicrous) vocal accompaniments ranging from grunting to tuneless singing.  His perceived high-handedness has inspired stories such as the jazzer who gets to heaven and hears some beautiful music. He asks St. Peter who's playing:  "Oh, that's God. He thinks he's Keith Jarrett".

Regardless of the man, his musical legacy over 50 years is remarkable and he has arguably re-defined the genre. He has audibly influenced many generations of players (anyone amongst our north-east canon care to comment?).  An excellent perspective, with detailed analysis, was published by Peter Elsdon: 'Style and the Improvised in Keith Jarrett's Solo Concerts', in Jazz Perspectives (2008). 

I first encountered him on Miles' 70s Live Evil followed by the Köln Concert, but I have later come to love the wonderful "European Quartet"  ECM recordings (especially My Song), with Garbarek, Danielsson and Christensen, and his many remarkable Standards Trio albums (with Peacock and DeJohnette).

Enough of the past, how does the latest concert compare with a long list, and more particularly, the landmark Köln Concert?   His creative process has changed from long, freeform and more or less continuous songs, into "medleys" of shorter, well defined pieces. I for one find this to be a more digestible format, and maybe easier for him to present musical ideas more coherently. In this style, the Munich Concert has two CDs of 12 improvised tracks (I-XII) averaging 6 minutes in length. The opener is the longest at some 14 minutes, but some are short and sweet - done and dusted in three or four minutes.

This is, unsurprisingly, a more mature and nuanced Jarrett. That's not to say his early work was not musically mature: his 70s albums were densely written, complex in places and of course, with massive technical accomplishment.   But the Jarrett of this century sounds more relaxed. The frantic, helter skelter, sometimes showy pyrotechnics of his 70s work has given way to deeper and more considered moods.  This is good news for those who decried the schmaltzy and excessive passages of the Köln Concert, but I can't help feeling it was that very exuberance that gave birth to the wholesome melodic and rhythmic inventions which characterised that album.

This offering does have gorgeous passages, from his characteristic tuneful ballads through to up tempo blues romps. Track III builds to a bluesy feast, with trademark smears of crunchy chords. Track IV with a rolling left hand blues is followed by limpid Debussy-like impressionism, (with hints of Rachmaninov 2?!). The melodic blues and ballads are punctuated by more dissonant constructions and harmonic block chordal work outs.

While the improvised recital is well crafted with contrasting sections, there is palpable relief when the intensity subsides to three closing standards - the normal routine for Jarrett's solo outings. Answer Me My Love and It’s a Lonesome Old Town are given gorgeous and reverent treatments, and the Somewhere Over the Rainbow encore does indeed sound divine.

Altogether, this is a worthy offering to the altar of ECM on its landmark 50th anniversary, but not a landmark in itself. I'd wholeheartedly recommend a listen for those who know the Köln Concert, but don't expect the raw exuberance of the 70s - instead find the complex and pensive mood reflective of our times.
Chris Kilsby

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