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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Friday, November 08, 2019

Greg Abate w. Paul Edis Trio @ The Black Swan - Nov. 7

Greg Abate (alto sax/flute); Paul Edis (piano); Andy Champion (bass); Russ Morgan (drums).
(Review by Lance).

It’s dead simple really – they don’t get any better than this! Not now, not ever! A strong statement I know but this was the best alto playing I’ve heard since Sonny Stitt at Gateshead Town Hall over 50 years ago - apart from on Greg's previous visits to Newcastle that is. On that occasion, Stitt was with the Malcolm Saul Trio. Tonight Abate was with the Paul Edis Trio who have built on the legacy of the late Malcolm Saul and the domiciled Bill Harper – the keys of the kingdom are in good hands.

Apart from his alto playing, Abate’s fluting is equally world class. I have a theory. Flautists who don’t play sax tend to have got into jazz as failed classical musicians. They have the technique but their initial grounding shows when they start blowing jazz whereas the fluter who began as a saxer (my word) already has the jazz feel – just a thought and I know there are exceptions to disprove my thoughts.

Getting back to the gig, I sat in awe wondering why every alto sax player in the world wasn’t sitting there applauding – hopefully they were at home practising. Likewise the flute players and, of course, the aspiring pianists, bassists and drummers because the trio behind the great man are no mere mortals either as most of us know very well.

I’m not going to give a blow by blow account of each tune – I mean, how many times do you want to read “This was great”, “This was fantastic” “This was Napoleon Brandy”?

When I first took an interest in sax playing, I’d talk to the old time dance band pros and mention someone who, I thought had a good technique. “Ah!” they would say, “But does he have a tone?”

Greg Abate has ‘a tone’ and the technique to match.


Recorda Me set the standard. A 5000 npm (notes per minute) blast on Charlie Parker’s Steeplechase had the juices near boiling point. They simmered on Farewell to Phil Woods - a gentle bossa dedicated to the late Phil Woods. Airegin had me breathless. Hazy Moon saw the great man switch to flute for this original inspired by his wife. Inner Urge by Joe Henderson was a joy to behold. Can anyone play that many notes and still produce a meaningful solo? And what about the trio? Despite a keyboard that seemed to have a couple of clinky notes Edis didn't let it cramp his style proving him to be a star in his own right. Champion the Wonder Bass retained his title and Morgan the Mighty was merely magnificent.

Second set - like the first - another one to write home about. Sleeping Bee; Angel Eyes (flute);  a fast bopper by Bird that I should have identified but didn't; On Green Dolphin St. (flute); An Afro Cuban original in 6/4 time. Greg blows Andy the bass line, Andy picks it up and we're off to the races; Star Eyes then, to finish, Gratitude which is also the title of his current CD. It will be reviewed here shortly - once I recover from being shell-shocked!
Lance.
Link to some great photos courtesy of Ken Drew.

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