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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14865 (and counting) posts since we started blogging 14 years ago. 1114 of them this year alone and, so far, 20 this month (Dec. 6).

From This Moment On ...

December

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 13: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).
Tue 13: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, John Pope, John Bradford.
Tue 13: Abbie Finn Trio @ Forum Music Centre, Darlington. 7:30pm. Xmas party.
Tue 13: King Bees @ Cumberland Arms, Newcastle. 8:00pm. Superb Chicago Blues Band.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 14: 4B @ The Exchange, North Shields. 7:00pm.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Wednesday, January 16, 2019

CD Review: Quinsin Nachoff’s Flux - Path of Totality.

(Review by Dave Brownlow.)

A double CD featuring the work of a musician whose compositions and playing lie in the spaces between genres and styles, where jazz and classical music ‘meld’ together in the avant-garde. Take as the starting point - say from classical, Stockhausen, John Cage or Philip Glass and from jazz, Sun Ra, Cecil Taylor or Derek Bailey and then go forward from there! The Band, “FLUX” comprises two saxes, one keyboard, two drummers/percussionists but no bass or bass guitar. Nine other players are involved among the recordings where they use conventional instruments or the vast array of vintage electro-acoustic instruments provided by Canada's National Music Centre’s extensive keyboard collection to provide constantly surprising musical environments. There are six tracks, all of which require aural stamina as they range from 6, 13, 14, and 19 minutes in length!


Path of Totality was inspired by the 2017 eclipse of the sun. A “way-out” theme leads to solos from the saxophones in contemporary/freestyle backed by outrageous chords from Mitchell and rock- steady interplay from the two drummers.

The 19-minute Bounce, built on the mathematical model of a bouncing ball, features drummer Wood challenging Binney at every phrase; then a calmer phase using ‘radio signals from outer space’. This is followed by an “other-worldly” keyboard interlude which segues into the finale introducing the 1924 Kimball Theatre Organ. This instrument produces a huge, dramatic wall of chordal sound in a beautiful requiem to Kenny Wheeler and John Taylor. Some track this….!

The 19-minute John Cage-inspired Toy-Piano Meditation incorporates Mark Duggan on marimba, vibes, glockenspiel, crotales and Tibetan singing bowls. Out-of-tempo at times, stately rubato at others, floating gently, searching, the C-Melody sax eventually takes it to its conclusion.

Marche Macabre is all doomy discord and bleak humour where the ‘march machine’- a wooden board fitted with a row of clomping clogs- provides the “Brave New World” conflict basis. Weird, outlandish segments of music follow with occasional interjections from brass and reed sections adding to the taste of disquiet and disharmony. The terrible mood is finally broken by a tap-dance from Orlando Hernandez which dissipates the ‘totalitarian’ chaos in a welcome diversion…

On Splatter, David Travis-Smith is let loose with his array of keyboard and electronic devices in a stunning, abstract, erratic, frantic, discordant soundscape – a “Jackson Pollock” of melody and percussion.

Orbital Resonances is “based on the intersecting pathways of orbiting bodies in space”. Strongly rhythmic, with the two drummers well in the foreground, this is a riot of seemingly unconnected melodic statements in a very experimental format.

There are moments of great beauty in this music which goes beyond all the boundaries of conventional forms. Experimental styles are the norm, borders are freely crossed, arts and sciences, astronomy and physics provide the inspirations for these extraordinary, thought-provoking compositions and solos.
Dave B

The album is available now on Whirlwind Recordings WR4733 from: www.quinsin.com

David Binney (alto & C-Melody saxes); Quinsin Nachoff (tenor & soprano saxes); Matt Mitchell (piano, Prophet 6 modular synth, Novachord, harpsichord, Estey pump harmonium,); Kenny Wollesen (drums & Wollesen Percussion #1 #3 #4 #6)) Nate Wood (drums #1 #2 #5 #6)
+
Bounce: Jason Barnsley (1924 Kimball Theatre Organ).

Toy Piano Meditation: Mark Duggan (marimba, vibes, glockenspiel, crotales, Tibetan singing bowls).

Marche Macabre: Carl Maraghi (baritone sax & bass clarinet), Dan Urness & Matt Holman (trumpets), Ryan Keberle, Alan Ferber (trombones), Orlando Hernandez (tap-dance),

Splatter: David Travers-Smith (Buchla 200E Analog Modular System, EMS Synthi 100 Analog/Digital Hybrid Synthesizer, Arp Chroma (Rhodes) Analog Synthesizer, Clavioline, Oberhelm SEM Modular Moog).

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