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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.CANCELLED!

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 02: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 02: Four @ The Exchange, North Shields. 7:00pm.
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 03: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 03: Bradley Creswick’s Western Swingfonia @ LIVE Concerts at Home. 1:15pm. A Newcastle University online only event.
Thu 03: John Williamson Trio @ Durham University (Music Dept.). 7:30pm. £5.00.
Thu 03: Chris Farlowe w Norman Beaker Band + Teresa Watson Band @ Newcastle Labour Club. 7:30pm. An evening of rhythm & blues.
Thu 03: Knats @ Daniel Farm Shop & Tea Rooms, Wylam. 8:15pm. £18.00. (inc. food from 7:00pm). A Wylam Winter Tales Festival event. SOLD OUT!
Thu 03: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 03: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Wednesday, January 16, 2019

CD Review: Quinsin Nachoff’s Flux - Path of Totality.

(Review by Dave Brownlow.)

A double CD featuring the work of a musician whose compositions and playing lie in the spaces between genres and styles, where jazz and classical music ‘meld’ together in the avant-garde. Take as the starting point - say from classical, Stockhausen, John Cage or Philip Glass and from jazz, Sun Ra, Cecil Taylor or Derek Bailey and then go forward from there! The Band, “FLUX” comprises two saxes, one keyboard, two drummers/percussionists but no bass or bass guitar. Nine other players are involved among the recordings where they use conventional instruments or the vast array of vintage electro-acoustic instruments provided by Canada's National Music Centre’s extensive keyboard collection to provide constantly surprising musical environments. There are six tracks, all of which require aural stamina as they range from 6, 13, 14, and 19 minutes in length!


Path of Totality was inspired by the 2017 eclipse of the sun. A “way-out” theme leads to solos from the saxophones in contemporary/freestyle backed by outrageous chords from Mitchell and rock- steady interplay from the two drummers.

The 19-minute Bounce, built on the mathematical model of a bouncing ball, features drummer Wood challenging Binney at every phrase; then a calmer phase using ‘radio signals from outer space’. This is followed by an “other-worldly” keyboard interlude which segues into the finale introducing the 1924 Kimball Theatre Organ. This instrument produces a huge, dramatic wall of chordal sound in a beautiful requiem to Kenny Wheeler and John Taylor. Some track this….!

The 19-minute John Cage-inspired Toy-Piano Meditation incorporates Mark Duggan on marimba, vibes, glockenspiel, crotales and Tibetan singing bowls. Out-of-tempo at times, stately rubato at others, floating gently, searching, the C-Melody sax eventually takes it to its conclusion.

Marche Macabre is all doomy discord and bleak humour where the ‘march machine’- a wooden board fitted with a row of clomping clogs- provides the “Brave New World” conflict basis. Weird, outlandish segments of music follow with occasional interjections from brass and reed sections adding to the taste of disquiet and disharmony. The terrible mood is finally broken by a tap-dance from Orlando Hernandez which dissipates the ‘totalitarian’ chaos in a welcome diversion…

On Splatter, David Travis-Smith is let loose with his array of keyboard and electronic devices in a stunning, abstract, erratic, frantic, discordant soundscape – a “Jackson Pollock” of melody and percussion.

Orbital Resonances is “based on the intersecting pathways of orbiting bodies in space”. Strongly rhythmic, with the two drummers well in the foreground, this is a riot of seemingly unconnected melodic statements in a very experimental format.

There are moments of great beauty in this music which goes beyond all the boundaries of conventional forms. Experimental styles are the norm, borders are freely crossed, arts and sciences, astronomy and physics provide the inspirations for these extraordinary, thought-provoking compositions and solos.
Dave B

The album is available now on Whirlwind Recordings WR4733 from: www.quinsin.com

David Binney (alto & C-Melody saxes); Quinsin Nachoff (tenor & soprano saxes); Matt Mitchell (piano, Prophet 6 modular synth, Novachord, harpsichord, Estey pump harmonium,); Kenny Wollesen (drums & Wollesen Percussion #1 #3 #4 #6)) Nate Wood (drums #1 #2 #5 #6)
+
Bounce: Jason Barnsley (1924 Kimball Theatre Organ).

Toy Piano Meditation: Mark Duggan (marimba, vibes, glockenspiel, crotales, Tibetan singing bowls).

Marche Macabre: Carl Maraghi (baritone sax & bass clarinet), Dan Urness & Matt Holman (trumpets), Ryan Keberle, Alan Ferber (trombones), Orlando Hernandez (tap-dance),

Splatter: David Travers-Smith (Buchla 200E Analog Modular System, EMS Synthi 100 Analog/Digital Hybrid Synthesizer, Arp Chroma (Rhodes) Analog Synthesizer, Clavioline, Oberhelm SEM Modular Moog).

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