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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.CANCELLED!

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 02: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 02: Four @ The Exchange, North Shields. 7:00pm.
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 03: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 03: Bradley Creswick’s Western Swingfonia @ LIVE Concerts at Home. 1:15pm. A Newcastle University online only event.
Thu 03: John Williamson Trio @ Durham University (Music Dept.). 7:30pm. £5.00.
Thu 03: Chris Farlowe w Norman Beaker Band + Teresa Watson Band @ Newcastle Labour Club. 7:30pm. An evening of rhythm & blues.
Thu 03: Knats @ Daniel Farm Shop & Tea Rooms, Wylam. 8:15pm. £18.00. (inc. food from 7:00pm). A Wylam Winter Tales Festival event. SOLD OUT!
Thu 03: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 03: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Thursday, January 24, 2019

CD Review: Yonathan Avishai Trio – Joys and Solitudes

Yonathan Avishai (piano); Yoni Zelnik (double bass); Donald Kontomanou (drums).
(Review by Hugh C)

Of Israeli origin, Yonathan Avishai has been resident in France since 2000.  Initially in the Dordogne, he moved nearer to Paris, where he met Yoni Zelnik and Donald Kontomanou, with whom he has been working for the last five years.  The trio (sometimes known as the Modern Times Trio) “re-examines shifting meanings of modernity in the course of its work”.

Joys and Solitudes opens with the trio’s rendition of the thoroughly modern model of a modern composition, Mood Indigo. The track commences with a metronomic beat from Kontomanou, from which the melody is gradually built by piano and bass.  Avishai states that he “saw at some point that he became more expressive with less notes” - this certainly comes through in his expansive interpretation of this well-known Ellington/Bigard composition.  

The remaining tracks on the CD are Avishai’s own compositions.  Solo piano introduces Song for Anny before moving into three/four waltz time with the other members of the band.

Dance also features in a number of the other tracks on the CD.  Avishai was inspired to compose the third track after listening to Dino Saluzzi and Anja Lechner’s ECM collaboration, Ojos Negros.  

Tango does what it says on the tin, but with an Avishai twist – all on solo piano.  Joy sees the trio back together from the start, an upbeat number, as one would expect, with a drum solo from Kontomanou sandwiched in the middle.  Shir Boker, which (as far as I can ascertain) translates as “Morning Song” is a balladic interpretation of the content of the title – in dance terms, it is what the French would call “un slow”.  

The terpsichorean theme continues in Lya, which has a definite Township jive and will have even the most curmudgeonly listener at least tapping their toes, if not dancing round the room!  When Things Fall Apart is inspired by Avishai’s long collaboration with a fellow Israeli musician, trumpeter Avishai Cohen, and is a response to Cohen’s Into the Silence.  The title derives from a book by the American Buddhist writer, Pema Chödrön and the piece is a sequence of musical disassembly and reincarnation. 

Les Pianos de Brazzaville recalls two journeys made by Yonathan Avishai to the Republic of the Congo in Central Africa and is another jaunty, rhythmic tune with a significant hint of the Afro-Cuban rumba.  We finish on a definite high!

Joys and Solitudes is a must for pianophiles.  The trio is tight and their musicianship shines through on this excellent CD.  The CD is released on 25th January 2019 (tomorrow) on ECM 2611.

Hugh C.

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