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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14438 (and counting) posts since we started blogging 14 years ago. 716 of them this year alone and, so far, 13 this month (August 6).

From This Moment On ...

August

Wed 10: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 10: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Wed 10: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 10: 4B @ The Exchange, North Shields. 7:00pm.
Wed 10: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Sunday, January 27, 2019

Tigran Hamasyan and The Voices of Hope @ Sage Gateshead – Jan. 26

Tigran Hamasyan (piano, synthesizer); Voices of Hope (vocals)
(Review by Ann Alex)
I didn’t know what to expect from this original music, which was billed as music with various elements and a choir. It began with the artist referred to simply as ‘Tigran’, smartly dressed in white shirt and grey waistcoat, playing what sounded like a piano sonata, but then jazz-like chords popped up, yet the basic motif of the melody wasn’t lost. So it continued, each piece of music lasting about 5 minutes. The first piece had classical elements, the second was jazzier and the third was based on a folk-like melody, rather eastern in sound, with Tigran humming to parts of the tune. I’d guess that this was music played freely without bar lines.  By about the fourth piece, the synthesizer was involved, with layers of sounds, beats, hums, airy noise, whistles, giving a pleasing cascade. Perhaps this was what Beethoven would have sounded like if he’d had 21st-century technology.

Tigran named only 2 of the pieces, possibly because his knowledge of English seemed to be limited. I didn’t catch one of the names but the other piece was entitled Revolving, which was an appropriate description, as it swirled and circled well, although I thought it went on for rather a long time. Then on came the choir, 5 women and 4 men, all dressed in black and wearing trousers. They sang a couple of beautiful melodies in harmony, the sort that are sung in the Russian Orthodox Church. They were probably Armenian tunes, as that is where Tigran hails from. He meanwhile played the piano, not actual accompaniment, but riffs and melodies which fitted the singing yet also worked as a counterpoint to the choral work. Tigran’s habit of putting his face down close to the keyboard at times is reminiscent of Bill Evans’ style of playing, I was told.

The audience, which filled level one of the hall and some seats on level two, demanded an encore, during which all stops were out, literally, with many synthesizer sounds, passionate piano, humming, whistling. Tigran then left the music to play by itself on the stage for a couple of minutes before returning for his applause. I thought this piece was a bit overdone and I had enjoyed the shorter items towards the beginning of the performance more.

All told, an interesting evening of music which was enjoyable. Tigran has performed in Manchester, Dublin and Oxford, and is due at Celtic Connections in Glasgow today (Jan. 27)
Ann Alex  

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