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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17777 (and counting) posts since we started blogging 17 years ago. 98 of them this year alone and, so far, 23 this month (Feb.8).

From This Moment On ...

February 2025

Fri 14: John Rowland Trio @ Jesmond Library, Newcastle. 1:00-2:00pm. £5.00. at the door. New second Friday in the month concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Archipelago + Anna Tempest @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Paul Jones & Dave Kelly @ Alnwick Playhouse. 7:30pm. Rhythm & blues.
Fri 14: Alexia Gardner Quintet @ The White Room, Stanley. 7:45pm. SOLD OUT!
Fri 14: Fiona Finden’s Jazz Express @ Flash House Brewing Co., North Shields. 8:00pm.
Fri 14: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: James Birkett & Emma Fisk @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 15: Elkie Brooks @ The Glasshouse, Gateshead. 7:30pm. ‘The Long Farewell Tour’.
Sat 15: Milne Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 16: MOBO Song @ The Glasshouse, Gateshead. 12 noon. Free, performances on the concourse. Line-up inc. Jazz Attack (on stage time TBC) & Jambone (12:20pm).
Sun 16: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Sun 16: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: MOBO Awards Fringe 2025: BBC Introducing NE X MOBO Showcase @ The Glasshouse, Gateshead. 6:00pm. Free (ticketed). Line-up inc. Jambone, Knats, Rivkala, SwanNek.
Sun 16: The Shayo Experience @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 16: Gerry Richardson Quartet @ The Globe, Newcastle. 8:00pm. .

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: Matt Forster Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 17: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Hirst.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 20: James Birkett & Emma Fisk @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Jazz Milestones - 1975.
Thu 20: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 20: Orange Claw Hammer + Peony @ The Globe, Newcastle.7:30pm. Orange Claw Hammer play Captain Beefheart.
Thu 20: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Featuring special guest Zoë Gilby.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, January 27, 2019

Tigran Hamasyan and The Voices of Hope @ Sage Gateshead – Jan. 26

Tigran Hamasyan (piano, synthesizer); Voices of Hope (vocals)
(Review by Ann Alex)
I didn’t know what to expect from this original music, which was billed as music with various elements and a choir. It began with the artist referred to simply as ‘Tigran’, smartly dressed in white shirt and grey waistcoat, playing what sounded like a piano sonata, but then jazz-like chords popped up, yet the basic motif of the melody wasn’t lost. So it continued, each piece of music lasting about 5 minutes. The first piece had classical elements, the second was jazzier and the third was based on a folk-like melody, rather eastern in sound, with Tigran humming to parts of the tune. I’d guess that this was music played freely without bar lines.  By about the fourth piece, the synthesizer was involved, with layers of sounds, beats, hums, airy noise, whistles, giving a pleasing cascade. Perhaps this was what Beethoven would have sounded like if he’d had 21st-century technology.

Tigran named only 2 of the pieces, possibly because his knowledge of English seemed to be limited. I didn’t catch one of the names but the other piece was entitled Revolving, which was an appropriate description, as it swirled and circled well, although I thought it went on for rather a long time. Then on came the choir, 5 women and 4 men, all dressed in black and wearing trousers. They sang a couple of beautiful melodies in harmony, the sort that are sung in the Russian Orthodox Church. They were probably Armenian tunes, as that is where Tigran hails from. He meanwhile played the piano, not actual accompaniment, but riffs and melodies which fitted the singing yet also worked as a counterpoint to the choral work. Tigran’s habit of putting his face down close to the keyboard at times is reminiscent of Bill Evans’ style of playing, I was told.

The audience, which filled level one of the hall and some seats on level two, demanded an encore, during which all stops were out, literally, with many synthesizer sounds, passionate piano, humming, whistling. Tigran then left the music to play by itself on the stage for a couple of minutes before returning for his applause. I thought this piece was a bit overdone and I had enjoyed the shorter items towards the beginning of the performance more.

All told, an interesting evening of music which was enjoyable. Tigran has performed in Manchester, Dublin and Oxford, and is due at Celtic Connections in Glasgow today (Jan. 27)
Ann Alex  

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