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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public). CANCELLED!
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.CANCELLED!

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 02: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 02: Four @ The Exchange, North Shields. 7:00pm.
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Sunday, January 13, 2019

CD Review: Justin Morell - Concerto for Guitar and Jazz Orchestra

(Review by Max Goodall)
Justin Morell writes, describing his reasons for composing Concerto for Guitar and Jazz Orchestra, that ‘Jazz is an art form that allows musicians to draw upon an endless array of stylistic and cultural traditions. While a number of jazz artists have incorporated the sophisticated forms of classical music in their writing and performances, there are few concerti works for a jazz orchestra and fewer still composed for guitar.’ Morell has for many years been exploring the possibilities of jazz’s capacity to absorb, accommodate and be moulded by disparate influences, in both his well-received jazz CDs as a leader, and his wide-ranging compositions and commissions, as well as in his work as Assistant Professor of Composition and Theory at Lebanon Valley College in Pennsylvania.


I must admit that I personally am often skeptical of attempts to use elements drawn from classical music in jazz compositions, something which I feel is often motivated by assertions of classical’s ultimate intellectual superiority. Moreover, I find that, when it comes down to it, the results of such projects are often really not particularly enjoyable to actually listen to.

Despite this, on this occasion, Justin Morell has been totally successful in overcoming my skepticism. The album draws particularly from the form of the nineteenth century Romantic Concerto, using this as a basis to structure the work. The album’s success is that Morell marries this with really engaging contemporary jazz writing. The sound-world is reminiscent of that of Pat Metheny or Tim Garland. At times the music is defined by a constantly shifting, quite unstable harmony, but this also frequently breaks out into moments of lovely tasteful simplicity, particularly in Life and Times, the second movement. This forms a really quite beautiful bed over which Adam Rogers’ elegant solo guitar playing floats. While much of Rogers’ part is pre-composed, the moments at which he is required to improvise are real highlights, particularly an extended free interaction between guitar and drums in the third movement, Terraforming.

Morell’s writing for Rogers’ is masterful, with moments of incredible virtuosity juxtaposed with sweet, highly intuitive melodic writing. His use of the ensemble is also incredibly effective. In Terraforming a repetitive melodic line in the guitar is gradually taken up and developed throughout the whole Orchestra, building to a breath-taking climax. The music of this movement, and indeed the whole album, is incredibly complex and difficult. The Frost Concert Jazz Band under the direction of John Daversa show themselves to be an ensemble of remarkable quality. Their execution of Morell’s work is flawless throughout.

This is a truly exceptional album in both its performances and the quality of the compositions featured. I strongly recommend giving it a listen – you won’t regret it!
Max G.

Concerto for Guitar and Jazz Orchestra was released on December 7, 2018, on Artistshare.

John Daversa (director, conductor); Justin Morell (composer, arranger); Adam Rogers (guitar); Tom Kelley (alto sax, soprano sax); Brian Bibb (also sax, flute); Chris Thompson-Taylor (tenor sax, clarinet); Seth Crail (tenor sax, clarinet); Clint Bleil (baritone sax, bass clarinet); Russell Macklem (trumpet); Michael Dudley (trumpet); Aaron Mutchler (trumpet); Greg Chaimson (trumpet); Derek Pyle (trombone); Will Wulfeck (trombone); Eli Feingold (trombone); Wesley Thompson (bass trombone); Jake Shapiro (piano); Josh Bermudez (guitar); Mackenzie Karbon (vibraphone and glockenspiel); Lowell Ringel (bass); Garrett Fracol (drums).

1 comment :

Steve T said...

Jazz still suffers from an inferiority complex to classical music; a throwback to C19th. I remember seeing Wayne Shorter perform his classical piece he'd composed to commemorate his 80th birthday. I say I saw it but I left not long in. Like others, he believes he will only be remembered if he writes for an orchestra, but his places in history are assured: they're called the Second Great Quintet, Bitches Brew and Weather Report.
I sometimes get wrong for hijacking peoples posts so apologies.

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