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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Saturday, January 26, 2019

CD Review: The Ebony Hillbillies - 5 Miles From Town

(Review by Ann Alex).

A different sort of CD to review. This one is noted as ‘Roots Music/Americana but there are jazz elements as well. Think of Sage Gateshead’s Americana Festival in July and you have the atmosphere. The band is seven black musicians, as in ‘ebony’, who started out on the streets of Manhattan, advanced to performing in Carnegie Hall and the Lincoln Center, appeared on the BBC and NBC, and do international festivals and workshops. This is their fifth CD.

An interesting mixture of country, pop, bluegrass, folk and jazz, mostly acoustic. 11 tracks, a mixture of songs and instrumentals, all traditional material except 4 tracks which include Smokey Robinson’s Fork In The Road and the Prince song Cream. The general feel is gritty, funky, sometimes romantic, and with a social conscience, as shown by an updated version of the blues, Another Man Done Gone. I sing this song in folk clubs, about a man in a chain gang being unlawfully killed e.g. ‘He had a long chain on’ but this version is cleverly updated to ‘He had a hoodie on’. An interesting aspect of the music is the use of ‘folky’ percussion, such as bones and spoons, which gives an unusual light bouncy effect. Mind, I have no idea what ‘cowboy percussion’, listed below,  is unless it’s juggling 10-gallon hats!

Most of the tunes are led by violin, which does a fair bit of improvisation, and I get the feeling that the band probably deviates from the written music if indeed they work much from written music at all. For instance, the opening track, Hog-Eyed Man, is an instrumental with a strong fast rhythm, the bass keeping a repetitive groove, and percussion at the turnaround of each section of the tune. I’ve been told that during bluegrass music festivals, the pace is fast and furious and no prisoners are taken, and this is indicated on this track.

Wang, Dang, Doodle (Willie Dixon) is about a party, a song to banjo backing, which really swings. I don’t know why banjos are despised by so many musicians, as it is really effective here. Spoons and percussion appear on Darling Corey. I Can’t Make You Love Me (Reid/Shamblin) sings the woman resignedly, a similar theme to the jazz song Black Coffee; then a change of mood to a spiritual Where He Leads Me, sung by a male voice with a gentle female voice blending quietly in the background. Other tracks not mentioned are Carroll County Blues; I’m On My Way To Brooklyn; I’d Rather Be A Nigga Than A Po’ White Man; Oh What A Time; Five Miles From Town.

Jazz lovers with wide tastes and Americana fans would especially love this CD. It’s currently available from Amazon, CDBaby and iTunes. 
See www.theebonyhillbillies.com/home
Ann Alex  
Henrique Prince (violin, vocals); Norris Washington Bennett (banjo, mountain dulcimer, guitar, vocals); Gloria Thomas Glassaway (bones, vocals); William Salty Bill Salter (acoustic bass); Allanah Salter (shaker, vocals); Newman Taylor Baker (washboard, perc); A.R. Ali Rahman (cowboy perc)

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