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Bebop Spoken There

Rickie Lee Jones: "There's lots of music and not so much celebrity. I guess I'll stay here [New Orleans] for a while if it doesn't get washed away in the flood." - (The Observer 18.04.21)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Monday, January 07, 2019

CD Review: Blue Standard - A Good Thing

Raoul Bhaneja (vocals, harmonica); Jesse Whiteley (piano)
(Review by Ann Alex)

This CD does what it says on the tin and does it well. The proverbial tin says that this is a debut album which was recorded ‘live off the floor with no overdubs’ at Canterbury Music Company in Toronto. Twelve standards, some unfamiliar, chosen because  Blue Standard felt inspired by takes of these songs done by famous names such as Nat King Cole and Chet Baker. Raoul Bhaneja is an actor who sings blues, as well as jazz and Jesse Whiteley, is well known on the Canadian music scene as he comes from a family of musicians involved in roots music, and he has performed with the likes of Clark Terry and Cleo Laine.

We get classic songs done in a stripped down and intimate manner, which especially brings out the meaning of the lyrics, short effective piano solos, and no scat, which I liked, as I believe this should be used only when strictly appropriate. So A Good Thing is full of wry humour as the singer says that he’s glad he didn’t meet his partner when he was wilder in his youth. The well known L.O.V.E. is a chance for the piano to make its mark with a neat key change. A Man Ain’t Supposed To Cry is blues-influenced with a sly piano reference to Cry Me A River and When I Fall In Love is suitably sensitive. Walkin’ My Baby Back Home and When Did You Leave Heaven? are flirtatious, not just the singer, but the piano somehow as well! The other tracks are It’s Always You; You’re Nobody Till Somebody Loves You; Here’s To Life; It’s A Wonderful World; Teach me Tonight, ending with a lively Crazy Rhythm on which our singer branches out to play a lively harmonica.

I have only one niggling criticism which s that a couple of songs end on a long, loud, strong, high, note, what I call an X-factor ending, (many songs on that television programme end like this) but it’s just a small niggle, and I enjoyed listening to this CD.
The album is available from January 18, 2019. There is a release party at the Jazz Bistro in Toronto on Thursday January 17, 2019, at 8.30pm. I don’t suppose that BSH will pay for me to go, but you never know!
Ann Alex  

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