Total Pageviews

Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, January 29, 2019

Tony Irving & Massimo Magee @ The Globe - Jan 28

Tony Irving (drums); Massimo Magee (soprano & tenor sax)
(Review by Russell) 

It was billed on the Jazz Co-op's website as 'Tony Irving & Massimo Magee & Guests...seven o'clock'. In the event, the 'guests' failed to materialise and for a while your correspondent was the only bod on the premises, save for Jazz Co-op mover and shaker, Debra M. 

At quarter past eight, as Irving and Magee were about to begin (yep, an hour and a quarter after the advertised seven o'clock start - or should that have been 'doors'?) some of the usual suspects (they're rarely seen at 'jazz' gigs) had arrived, no doubt ready for some 'no-genre' music. Saxophonist Magee spoke briefly: drummer Irving would open the first set with a solo piece, Magee would follow with a solo piece of his own, then there would be a duo second set. For the remainder of the evening, neither Magee nor Irving said another word. Cool.


A drum solo, sorry, 'improvisation', took up fifteen minutes of our time followed by a similar span of time featuring Magee's circular breathing, uncomfortably pitched soprano sax workout. Technique to burn, Magee's approach owed something to the 'fire music' first heard more than half a century ago. 

The interval: a cassette tape (hey, kids, Google 'DIY underground retro music format') was for sale, bottles of Black Sheep were for sale at the bar. 


Second set - Irving and Magee served up some more free improv 'no-genre' stuff. No eye contact required, nor possible with Magee standing in front of drummer Magee, the men of few words let their improvisations do the talking.       
Russell

4 comments :

Debra Milne said...

Apologies for the inaccurate start time Russell, although it did state 7.30pm on the FB event page. I think it's worth noting that the Jazz Bar at The Globe was full (I had to relinquish my seat behind the bar) and Tony & Massimo chatted to many in the audience between sets. Clearly not Russell's gig of the year, but well received by many who were there.

Gavin said...

You think he'd be impressed that Magee managed to stand in front of himself playing drums. It is a shame they stuck to playing & didn't perform the standup routines they're renowned for.

Russell said...

Well spotted Gavin. Clearly Bebop Spoken Here could do with a proof reader!

Steve T said...

Cassettes are the new vinyls.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance