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Bebop Spoken There

Tina May: "It's a broad umbrella, jazz, but to me there has to be improvisation. If that's not there, to me, it's not really jazz." - (Jazzwise March 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,132 (and counting) posts since we started blogging 13 years ago. 551 of them this year alone and, so far, 106 this month (April 22).

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Thursday, January 10, 2019

Jeremy McMurray with the Pocket Jazz Orchestra @ Dormans Jazz Club, Middlesbrough - Jan.3

Jeremy McMurray (piano); Mark Toomey (alto sax); Paul Donnelly (guitar); Peter Ayton (bass); Richard Brown (drums).
(Review by Ron H).

Jazz at Dormans got off to a fine start with our first guest band of 2019 - the Pocket Jazz Orchestra, led by pianist Jeremy McMurray. 

The night began in great style with the Miles Davis composition Four followed by a swinging version of Jimmy Van Heusen’s It Could Happen to You.

A melodic East of the Sun (and West of The Moon) showed how tight the ‘orchestra’ was as a unit and how strong the individuals’ soloing abilities are.

Don Raye's classic ballad Star Eyes was given an up tempo/Latin/swing treatment which produced more great solos all round whilst Jule Styne’s ballad I Fall in Love Too Easily featured Mark on alto along with moving solos from both Paul and Jeremy.

The first set closed with a rousing rendition of Tenor Madness. Richard's excellent drumming and an outstanding guitar solo from Paul complemented some alto madness from Mark.

A beautiful original by Mark, These Rainy Summer Days, played as a fast bossa, started the second half with the composer in fine form and some effective piano from Jeremy.

A fast swinging Stella By Starlight, included an impressive bass solo from Peter, and a hard-driving Work Song, preceded another of Mark's compositions, Where Can We Go From Here? again played over a bossa nova rhythm.

The night was brought to a close with Monk's Straight No Chaser.

An evening of top-class jazz played to a good-sized audience who showed their unrestrained appreciation of a popular and deservedly successful Teesside band.
Ron H.

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