Total Pageviews

Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, December 26, 2018

CD Review: Dan Banks Quintet

Dan Banks (piano); Paul Higgs (trumpet); Roberto Manzin (tenor sax); Jose Canha (bass); Josh Law (drums).
(Review by Lance).

Maybe not the CD of the Year but it's certainly high on the list. Five fine musicians combining post-bebop with more contemporary influences in a manner that varies from compelling lyricism - deep and thoughtful - to hard-swinging unison heads reminiscent of Blue Note artists such as Art Blakey, Hank Mobley and those New York bands that built upon the Bird/Diz legacy.

Based in Kent, this is, I gather, their second album of original compositions - all by leader Banks - and it's well worth seeking out. Banks is a complex, probing, classically trained, experimentalist who can swing with the best of them when the groove is in.

Higgs is the only one of the others I was familiar with having reviewed an album issued under his own name back in 2014. I commented then on his lyricism and he retains that quality with perhaps a little more edge added to his playing since.

Manzin too has a melodic side as well as a formidable technique on the 'up' numbers, Canha and Law add the foundation to make this a one for repeated listening.

Let's hope that they take to the road sometime soon otherwise I'm going to have to thumb a lift down to Kent or Essex!
Lance.

No comments :

Blog Archive