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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14836 (and counting) posts since we started blogging 14 years ago. 1085 of them this year alone and, so far, 84 this month (Nov.28).

From This Moment On ...

November

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Helen Walker (French horn/trumpet) & Caroline Guirr (piano) @ St. Andrew's Church, Corbridge. 2:00pm. Duo concert by two members of 'The Wild Women of Wylam'. Part of the annual Christmas Tree Festival.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Monday, December 03, 2018

Royal Northern College of Music plays Frank Zappa: Take Your Clothes Off When You Dance @ Union, Metropolitan University, Manchester, Nov. 30

(Review by Steve T)

Five tickets left at the start of the week but I had to wait until Wednesday to find out if I could drive. Worth the risk? Worth spending four times longer in the car than the time the band were on the stage? Hell yes!

A medley from the Make a Jazz Noise Here album, though it goes back even further, to the Ahead of Their Time album recorded in ‘68, and the whole bunch of them are cross-fertilising rock with classical music, infused in a baroque style and the whole thing underpinned with a jazz sensibility.

The segue from Oh No to Son of Orange County (on Weazels Ripped my Flesh and  Ahead) is one of the most resounding tension resolutions in the whole of Zappa, but loses something on this version where the latter is taken at a syncopated, almost novelty pace. Furthermore, this version of the medley leads into a jingly jangly, country and western(ish) style version of  Lumpy Gravy, which plays to the view of Zappa as a comedy, novelty act.*

The horns dropped out for Peaches en Regalia, which opens Hot Rats - Britain's Favourite Zappa album - and March played the guitar parts heavily laden with effects, which isn't how Zappa played, only fully adopting the Hendrix revolution in the mid-seventies. Cannonball Adderley alumni, one time Mother and best mate of Stanley Clarke claimed Zappa was an under-rated guitarist, appreciated more in jazz or classical music than rock.

Then the band dropped out for Study on 6 by Conlon Nancorrow, one of Zappa's classical influences, and the gig more or less alternated between classical and rock until the final medley. The former included Frank's own tribute to Stravinsky, Igor's Boogie and Octandre by his favourite classical composer Edgard Varese. The latter included Take your Clothes Off When You Dance during which many removed items of clothing (which was in the spirit of Zappa) only to reveal they were wearing extra clothing underneath (which wasn't), and Big Swifty, keyboards taking some very jazzy solos and a fine bass soloSome keyboard strobes reminded us when it was rock and some old rockers talking rather loudly through the classical stuff reminded us when it wasn't. I don't generally get upset by this but I found their selectivity selfish and inappropriate.
 
Frank mixed every style of music you can think of into something entirely original, which wasn't rock, classical, or jazz but all of them and much more and I think it's a mistake to separate it out and suggest, on the one hand, he did this and, on the other, he did that. Certainly, he used juxtaposition to achieve the whole and I've no doubt this was arbitrary, but you lose something when you mess with it.
It sounds like I'm being critical but it was amazing to see these young musicians playing this music to young people, old rockers, suitably eccentrics and classical nerds. I was excited, moved, overjoyed, and restless and by the time the horns took over the melody of Duke of Prunes (orchestral), I felt like I was pinned to the wall.
Look out world, Zappa's on the move.   
Steve T.
 *Ahead of Their Time was recorded live in London and ends abruptly due to a curfew because of the 'subway' so it's possible it may have led to Lumpy Gravy.

Band: Jack March (guitar), Tom Chapman (bass guitar), Andrew Jones (keyboards), Gabriel Alexander (drums), Simeon Evans (sax), Cameron Lockett (trumpet).

RNCM Wind Ensemble: Michael Ready (flute, piccolo), Adam Bowman (oboe, cor anglais), Chao Chen (clarinet, bass clarinet), Leonardo Bizzotto (bassoon), Lauren Collings (horn), Daniel Tarrant (trumpet), George Hardwick (trombone), Darren Gallacher (percussion), Nigel Smith (double bass).
Conductors: Clark Rundell, Andrew Casey, Laurent Zufferey.

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