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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Monday, December 03, 2018

Headhunters @ Sage Gateshead - December 2

Donald Harrison (alto/vocal); Bill Summers (perc/vocal); Jerry Z (keys); Mike Clark (drums).
(Review by Lance/photos courtesy of Russell).

I'm going to use that well-known cop-out - a Curates Egg. There were many highs and no lows but, there were also a few in-betweens that verged on the boring.

The highs, and they were very high indeed, included Harrison's alto solos which were as good as, if not even better, than when I first heard him with Blakey's Jazz Messengers a thousand years ago (actually about 30 years ago!). A spiky player to rate alongside anyone you care to mention.

Mike Clark is a phenomenal drummer. However, these days, it seems as though just about every drummer from the grassroots upwards has an amazing technique so why does Clark stand above the rest? Feeling, the ability to listen and to drop his bombs on target and not in the middle of the ocean.

I expected more from Jerry Z. He didn't get that B3 sound and needed more volume in his solos. Nevertheless, a stellar performance.

Bill Summers entertained us with his patter and his solos on an assortment of percussion instruments.

So why bring in the Curate's breakfast? Good question but, enjoyable as it was, it didn't quite make the earth move for me. At times it had an almost Smooth Jazz feeling and the finale with Harrison vocalising on Kongo Square (spelling from the CD that many of the numbers came from) left me cold although, in fairness, the rest of the room was on their feet happily engaging in a call and response session.

I left before the encore which Russell tells me was a Monk tune. I should have stayed - it could have lifted it from a 7-star to an 8-star review.
Lance

2 comments :

Russell said...

Agree 100% with your review. Early on the fine line between in-the-pocket groove and smooth jazz was in danger of being blurred but thankfully Clark found a groove and didn't let go. Harrison quoted Ellington and Dizzy (Manteca). Summers didn't do much until Watermelon Man and Jerry Z was far too polite (subservient to the senior Headhunters?) - the other Gerry, that's Wor Gerry, Gerry with a G, wouldn't have stood on ceremony. Loft Funk saved the day.

Steve T said...

I enjoyed it, but accidentally seeing the Mahavishnu Orchestra (as a rock fan, like most who saw them) in 73 notwithstanding, jazz-funk is really where I came in, officially in 78 though tentatively through 75/6.
My main disappointment was at rows of empty seats and this kind of thing works best when there's an up for it audience and - who knows - we may have got Chameleon. I'm guessing the jazz people think it's too funky and the funk people find it too jazzy. I thought there was enough for both, especially with the splendid encore - sorry Lance.

If you ever see Show of Hands, he'll tell you they're too folkey for the people who don't like folk but not folkey enough for the people who do. However, you won't see many empty seats at a Show of Hands gig.

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