Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18585 (and counting) posts since we started blogging 18 years ago. 449 of them this year alone and, so far this month (May 31) 103

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Hirst.
Tue 02: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05-Thu 11: FILM: Köln 75 @ Tyneside Cinema, Newcastle. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne. Screenings TBC.
Fri 05: Pete Tanton & Alan Law @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00

Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Star & Shadow Cinema, Newcastle. 9:30pm. £7.00., £5.00. Dir. Guillaume Maupin & Pablo Guarise.

Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free. Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).

Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).

Friday, December 28, 2018

RIP Nipper

The sad news is that HMV is once again going into administration and, sadly, this time it looks as if Nipper, like HMV's 2000 plus employees, will no longer be the musical face of the High Street.

This, in an era when, smaller, independent record shops are appearing on every street corner, seems to be an anachronism. People are downloading rather than buying CDs yet are still shelling out for vinyl at grossly inflated prices. 

The debate on the merits of the two formats goes on. 

Personally, I like vinyl because you can at least read the notes without a magnifying glass. However, as the name implies, CDs are more compact and take up less space but, whereas I lovingly hold an LP, almost caressing it before I place it on the turntable and listen, a CD is, irrespective of the music, colder, almost frigid by comparision. The scratching sounds of well-played vinyl are as much a part of the listening experience as the moans and groans emoted whilst in the ecstatic throes of passion.  They become wallpaper alongside say, Songs For Swinging Lovers, A Kind of Blue, Concert by the Sea or your own particular favourite.

Downloads? I can't be arsed with them although, maybe soon I'll have no choice. However, whereas you can't buy a download in a charity shop for 50p, jazz LPs you can - they are out there, you just have to look...
Lance.
PS: 78s too!

2 comments :

Ken Drew (on F/b) said...

Well Said !:) Shame about Nipper though 😕

Steve T said...

The only thing vinyls have going for them is the album sleeve; so nothing - just buy a poster (my friend bought a magnifying glass to read the liner notes of Mingus' Black Saint). Vinyls were designed specifically for radio play and the artists didn't actually like the snap, crackle and pop.

The problem with downloads/streaming is that people tend not to play the album. Some bands - ie Genesis/ Pink Floyd - have tried to stop people selecting tracks, but nobody takes any notice.

Some people in the media have tried to say CDs never took off, which is patently nonsense. I remember Piers Morgan saying, in a claim befitting of a Dallas scriptwriter, we went from vinyls to downloads.

Five years ago the only people who cared about vinyls were the half a dozen people who weren't sufficiently interested in music to replace their half a dozen vinyls. Does nobody else think it curious that all of these people went back to vinyls at the same time, which just so happens to coincide with the time the media started telling us to; a bit like the Beatles in the nineties.

We flatter ourselves it's about freewill, taste, opinion. There's a very famous essay by Marshall McLuhan called ' the Medium is the Message' (written in the sixties (I think)) where he claims people are more interested in the means of transmission than the content.

The figures are also grossly exaggerated by the media. Just over 4 million last year against nearly 3 million of just one Ed Sheeran album, and over 40 million CDs; the media didn't tell us that; they didn't mention Cds at all.

Since the media tells us that music fans prefer vinyls (vinyls fans prefer vinyls, music fans prefer music), if each one gets one for christmas, one for birthday, one for fathers day, one on vinyls record shop day and one just because they're such big music fans, that's about 2 thousand people buying vinyls.

Last year the BBC claimed that almost half of vinyls bought remained sealed, while they download/stream the music. The vinyls are left lying around as a demonstration of how right-on he is - it's always always stupid, white, straight men.

No doubt it'll be up again this year, now that all us middle class, middle aged, square men got a player last christmas. Christmas, birthday, fathers day presents for life.

I've even heard people say they prefer vinyls because great music is supposed to be difficult, and it requires effort to turn it over after side one and you have to go to a shop or a post-office because it won't fit through a letter-box. I don't think this is what people mean when they say the best music requires effort.

The insistence on vinyls has been catastrophic to the Soul Scene. When I left it in the early nineties, it was the best it's ever been and going in the right direction (in no small part, because of me). I had the best collection of vinyls in the region (probably still unsurpassed) and now have one of the best collections (on CD) in the country, perhaps the world. Now any fool with half a box of not very good vinyls can turn up and play the same rubbish every night and middle-aged men who went to Wigan Casino years too late and haven't been anywhere since will say KTF.

The media tell us that vinyls will save music (like punk-rock and the Beatles) but the reverse is true (in all three cases). The greatest collections of music on a hard copy the world will ever see has been CDs. The good news for me is they're drying up; the bad news is they're rocketing in price. The media don't tell us that either.

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