Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, December 26, 2018

How it all began (for me) by Ann Alex

When I first became interested in jazz in about 2007, a friend with very wide tastes in music compiled a CD for me as an introduction to jazz. So I thought I’d outline the tracks as a suggestion of what to play for someone new to jazz. It certainly worked for me.

1/ Blue Ortani -  Herbie Hancock  
A tune new to me, lots of flowing piano, but with a strong melody which never gets lost among the improvisation. My idea of ideal jazz.

2/ Stormy Weather -  Billie Holiday
Heartfelt singing, a lesson for all singers, it’s all been said already.

3/ Summertime - Booker T & The MGs (note to Lance, NOT SUNG) Featuring guitar, bass and B3 (I think) very effective, strong turnarounds at the end of each section. Great stuff.

4/ Autumn Leaves  - Stan Getz  Pleasing straightforward tenor sax.

5/ St James Infirmary - Jack Teagarden  This is big band swing with clapping and a male chorus which still manages to get the pathos of the song across. ‘Hush, hush, hush, darlin’ baby’ they sing.

6/ New Orleans Function -  Louis Armstrong  New Orleans funeral music, camped up to the hilt, amusing, clever trumpet/cornet (?), slow as they approach the graveyard them fast and rollicking as they leave to the tune of Oh Didn’t He Ramble.

7/ Body And Soul - Coleman Hawkins. Not sung, but I later had to learn the song so I had a head start despite the fact that the melody is only suggested. Featuring piano and tenor sax with a steady beat from the rest of the band.

8/ On Green Dolphin Street - Herbie Hancock, alternate version. Absolutely beautiful, superb improvisation played to a gentle repeated riff.

9/ Seven Minds - Jimmy Ponder  I’ve no idea who Jimmy Ponder is, but this is the CD’s longest track, involving guitar, keys, brushed drums, vibes, bass and clarinet, with the frontline instruments taking the tune in turn as expected, effective jazz.

10/ Danse Norvegienne - Django Reinhardt. A jazz version of a Grieg (?) composition, with clever guitar improvisations.

11/ Flamenco Sketches Miles Davis.  My introduction to Miles and cool jazz. Needs no comment for BSH readers, and others who – if any - don’t know this music should simply listen to it, and it really does have flamenco influences.

12/ Take Five - Dave Brubeck Quartet. I’ve loved this piece since childhood. Tricky 5/4 timing of course, and the drumming is fascinatingly unpredictable.
13/ Blue In Green - Miles Davis. Ditto track 11 above, without the flamenco.

14/ Run the Voodoo Down - Cassandra Wilson.  A marvellous piece of singing. I don’t know how she kept to the timing as there are no obvious leads from the band of guitar, sax, drums and bass, who do creepy ‘voodoo’ sounds. The spirited song is powerful ‘When it comes to makin’ music (travel, love) I’ll run the voodoo down’ she sings.

15/ Where Flamingos Fly - Gil Evans.  A delightfully singable tune from reeds and piano.

16/ I Put A Spell On You - Mica Paris.  A soul version rather than jazz, with an orchestra and rock style guitar solo. All stops out for the last chorus, a fitting finale to the CD.

A pretty good introduction to jazz, I thought. Personally, more vocal tracks would have made the listening even better, although I know that others will disagree, but still very enjoyable. Now start to plan your own mix tape/cd to persuade non-jazz people into the fold.

Ann Alex

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