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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Tuesday July 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Gala Big Band w. ALAN BARNES: Strictly Come BRASSing - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £15.00. (£12.00. concs.). A Durham Brass Festival event.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 813983 (info). 8:00pm. £5.00. (inc. raffle). RCJ with Don Armstrong (clarinet, saxophone, penny whistle, vocals).

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SOLD OUT!

Zoe Rahman & Laura MacDonald - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192.. 8:00pm. £12.00. (£10.00. concs.). JNE.

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Northern Monkey Brass Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 17, 2018

Budtet @ The Globe + Jam Session. Jazz Coop Xmas Party - Dec. 16.

Stu Finden (baritone sax/vocal); Fiona Finden (tenor sax/vocals); Dave Weisser (cornet/vocals); Jude Murphy (alto sax/flute/vocals); Jim Crinson (guitar); Andrew Porritt (bass); Eric Stutt (drums).
(Review by Lance).

The party season is now in full swing. Down south in Hartlepool, Musicians Unlimited and Alice Grace were serving up the musical mince pies, way out west, in Blaydon, it was the Paul Edis Trio and guests pulling the crackers whilst here in town, at the Globe, it was Budtet who carved the bird.

It was an impressive set with Stu Finden blowing his recently acquired baritone with a facility that reminded me of my favourite bari-player, the late Cecil Payne. Hank Mobley's This I Dig of You set the standard and it was high. Everyone soloed and there were no passengers tonight. Boplicity, Take the A Train and a familiar sounding funky feely number kept the mercury bubbling over. Dave scatted and Jude fluted - is there a better jazz flautist around? Not many.

Time to cool it. You Go to my Head sang Fiona - mine too Fi, I thought, as she sang with so much feeling.

Back to 52nd St., for Dave Weisser's take on Annie Ross' take on Wardell Gray's take on Twisted - "My analyst told me..." you know the one. More flute from Jude and Fi took her cap off and let her hair down. On a sartorial note, all four horn-players wore some form of headgear. The rhythm section of Crinson, Porritt and Stutt may have been bare-headed but they were sure-footed as a team, keeping it all together and filling in the cracks with sound and solid solos.

Jude sang a number in Portuguese - or was it Peltonese? - whilst Keith and Nicola tripped the light fantastic.

Yardbird Suite not only had solos from all but concluded with some four-part vocalese from the frontline. Lambert, Hendricks, Ross and Weisser ride again.
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Keith Barrett (guitar); Sam Young (keys); Jim Crinson (bass); Matthew Fairhurst (drums); Debra Milne (vocals); Jude Murphy (alto); Johannes Dalhuijsen (soprano sax); Nigel Robson (trombone).

A break for nibbles and raffles and a jam session to round off the evening. Unfortunately, I couldn't stay for it all and so I missed some of the notables who were 'loaded for bear' and awaiting the call.

Bernie's Tune and Beautiful Love were the openers. Sam Young impressed on keyboard and Keith Barrett proved to be as good a guitarist as he is a dancer. Dalhuijsen played soprano sax and, undeterred by the calibre of saxmanship that had preceded, he made his mark. Robson blew trombone with great gusto and was applauded accordingly. Matthew Fairhurst, as ever, showed great empathy with his surrounds whilst Jim Crinson took the transition from guitar to double bass in his stride.

Debra, as befits a leading light of the Jazz Coop Board of Directors, took centre stage for Stomping at the Savoy and a poignant tribute to Nancy Wilson with Save Your Love For Me. This was made even more emotional when Jude leaped up to blow an alto solo that eclipsed just about all that had gone before. She captured the mood and I caught the metro.
A splendid evening of cooperative jazz.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance