Total Pageviews

Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: Struggle Buggy @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Sunday, December 23, 2018

A Jazzy Christmas @ Ushaw - Dec. 20

(Review by Steve T/PHOTOS courtesy of Ken Drew) 


Thursday - the day after the Christmas party - found us in Co. Durham’s largest town during a rush-hour bomb scare which left half the town in lockdown and the other half in gridlock. Since the car was in the lockdown zone we took a bus through the gridlock zone for a crazy, hour-long, stop-start bus journey which left me talking into a bag by the time we hit the mean streets of Bishop Auckland.

Turned up at Ushaw just in the nick of time, after Mrs T had to stop (her crazy stop-start driving) at the bottom of the drive, with another stop - in Spennymoor - during the homeward journey.

It took a full two days to recover fully allowing the battery-powered, roadside recoverer, anonymous alcololic, the lovely Ann Alex (did anyone see what I did there?) to get her review in for the following night ahead of me, making my task somewhat easier: what she said.


Actually the two shows were almost identical but totally different. Sage Gateshead looked splendid but the theatre at Ushaw has an innate fairy-tale quality which makes it perfect for this type of thing. Ushaw was generally more relaxed, which makes no qualitative judgement, and we were fortunate to be incentivised to do both. The various horn players dotted around the theatre for Drummer Boy seemed to work better at Ushaw, or was it just that on Friday we were expecting it.

It's clear we all got our annual top-ten lists in too early this year, but the beauty of ten is that twelve is also a 'power' number. They say men never grow up and I've loved Christmas throughout my life, throughout its twists and turns, through all the instalments of it that life throws at you - captured wonderfully on Paul’s future Christmas number one - and I started thinking, (more on Friday, but maybe because by then I was pretty sure I wasn't going to need a quick exit) if I continue to become more sentimental and nostalgic as (if) I grow older, I may not be able to listen to music in public.

Unfair to single anybody out, but Matt Anderson was dominant throughout, with Graham Hardy reaffirming why he's a beast. The respective violinists across the two nights brought new moments of sublime jouissance to familiar classics and the girls in the corner were wonderful.
 
Paul Edis continues to enrich our region and I'm not going to denigrate him by comparing him to that bunch in the other place but, it's on nights like these, we dare to think we may be in the presence of greatness. Not forgetting that behind every great man there's a great woman, and credit to Kate Edis for co-writing the Christmas song and inspiring Matt Anderson’s uplifting rendition of Driving Home for Christmas; one of the few modern Christmas songs people genuinely seem to like. 

The big problem they face next year is that, if everybody who was there tells just one person (and I have a list), where do we all go? But that's the sort of problem we like. 

Steve T.
Paul Edis (piano, vocals); Jo Harrop (vocals); Andy Champion (bass); Russ Morgan (drums); Matt Anderson (tenor & soprano sax); Francis Tulip (guitar); John Paul Garner (violin); Graham Hardy (trumpet, flugel); Jason Holcomb (trombone); Faye Thompson (alto sax, clarinet); Megan Robinson (flute).

No comments :

Blog Archive