Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sun 10: Michael Young Trio @ The Engine Room, Sunderland. 12 noon. Free. Note earlier start.
Sun 10: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 10: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 10: The Chet Set @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.
Sun 10: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.

Mon 11: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 12: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Hey Remember This @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:300pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sunday, December 23, 2018

A Jazzy Christmas @ Ushaw - Dec. 20

(Review by Steve T/PHOTOS courtesy of Ken Drew) 


Thursday - the day after the Christmas party - found us in Co. Durham’s largest town during a rush-hour bomb scare which left half the town in lockdown and the other half in gridlock. Since the car was in the lockdown zone we took a bus through the gridlock zone for a crazy, hour-long, stop-start bus journey which left me talking into a bag by the time we hit the mean streets of Bishop Auckland.

Turned up at Ushaw just in the nick of time, after Mrs T had to stop (her crazy stop-start driving) at the bottom of the drive, with another stop - in Spennymoor - during the homeward journey.

It took a full two days to recover fully allowing the battery-powered, roadside recoverer, anonymous alcololic, the lovely Ann Alex (did anyone see what I did there?) to get her review in for the following night ahead of me, making my task somewhat easier: what she said.


Actually the two shows were almost identical but totally different. Sage Gateshead looked splendid but the theatre at Ushaw has an innate fairy-tale quality which makes it perfect for this type of thing. Ushaw was generally more relaxed, which makes no qualitative judgement, and we were fortunate to be incentivised to do both. The various horn players dotted around the theatre for Drummer Boy seemed to work better at Ushaw, or was it just that on Friday we were expecting it.

It's clear we all got our annual top-ten lists in too early this year, but the beauty of ten is that twelve is also a 'power' number. They say men never grow up and I've loved Christmas throughout my life, throughout its twists and turns, through all the instalments of it that life throws at you - captured wonderfully on Paul’s future Christmas number one - and I started thinking, (more on Friday, but maybe because by then I was pretty sure I wasn't going to need a quick exit) if I continue to become more sentimental and nostalgic as (if) I grow older, I may not be able to listen to music in public.

Unfair to single anybody out, but Matt Anderson was dominant throughout, with Graham Hardy reaffirming why he's a beast. The respective violinists across the two nights brought new moments of sublime jouissance to familiar classics and the girls in the corner were wonderful.
 
Paul Edis continues to enrich our region and I'm not going to denigrate him by comparing him to that bunch in the other place but, it's on nights like these, we dare to think we may be in the presence of greatness. Not forgetting that behind every great man there's a great woman, and credit to Kate Edis for co-writing the Christmas song and inspiring Matt Anderson’s uplifting rendition of Driving Home for Christmas; one of the few modern Christmas songs people genuinely seem to like. 

The big problem they face next year is that, if everybody who was there tells just one person (and I have a list), where do we all go? But that's the sort of problem we like. 

Steve T.
Paul Edis (piano, vocals); Jo Harrop (vocals); Andy Champion (bass); Russ Morgan (drums); Matt Anderson (tenor & soprano sax); Francis Tulip (guitar); John Paul Garner (violin); Graham Hardy (trumpet, flugel); Jason Holcomb (trombone); Faye Thompson (alto sax, clarinet); Megan Robinson (flute).

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